British -- Germany -- Fiction; Families -- Fiction; Husband and wife -- Fiction
They walked their panting horses back the way they had come. As before,
neither spoke. To all appearances nothing had changed between them, and
yet the change was there. The sunlight had broken through the mists,
the oppressive silence was gone, and life stirred in the long grasses,
peered with wondering, timid eyes from amidst the shadows, where deer
and squirrel and all the peaceful forest world watched and waited until
the intruders had passed on and left them to their quiet. And in Nora’s
heart also the sun had risen. The chaos had resolved itself into calm;
and though so long as the man with the pale, troubled face rode at her
side she could give no account even to herself of the mysterious
happiness which had come so suddenly and so strangely, she was yet
content to wait and enjoy her present peace without question.
Thus they passed out of the gates and through the busy streets, Arnim
riding close to her side, as though to shield her from every possible
danger. But the silence between them remained unbroken. It was the
strangest thing of all that, though throughout they had scarcely spoken,
more had passed between them than in all the hours of the gay and
serious comradeship they had spent together.
At the door of the Arnims’ house Wolff dismounted and helped Nora to the
ground. And as they stood for a moment hand in hand, he looked at her
for the first time full in the eyes.
"I cannot thank God enough that you are safe," he said.
She heard in his low voice the last vibrations of the storm, and the
thought that it was _her_ danger which had shaken this man from his
strong self-control overwhelmed her so that she could bring no answer
over her lips. She turned and ran into the house, into her own room,
where she stood with her hands clasped before her burning face,
triumphant, intoxicated, swept away on a whirlwind of unmeasured
happiness.
It is the privilege—the greatest privilege perhaps—of youth to be swept
away on whirlwinds beyond the reach of doubt and fear, and Nora was very
young. Over the new world which had risen like an island paradise out of
the chaos of the old, she saw a light spread out in ever-widening
circles till it enveloped her whole life. For Nora the child was dead,
the woman in her had awakened because she loved for the first time and
knew that she was loved.
It was a moment of supreme happiness, and, as such moments needs must be
if our poor mortal hearts are to be kept working, shortlived. Even as
her eager, listening ears caught the last echo of horses’ hoofs outside,
some one knocked at the door.
"Fräulein Nora, please come at once," a servant’s voice called. "The
Fräulein Hildegarde has been taken very ill, and she is asking for you."
"I am coming," Nora answered mechanically.
Her hands had fallen to her side. The whirlwind had dropped her, as is
the way with whirlwinds, and she stood there pale and for the moment
paralysed by the shock and an undefined foreboding.
Public-domain text, read in full here on John Shaqi.
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