American fiction -- 19th century; Detective and mystery stories
WHEN Dr. Izard rose the next morning it was with a feeling of lassitude
and oppression that surprised him. He had received no calls from
patients the evening before, nor had he retired any later than usual.
Then why this strained and nervous feeling, as if he had not slept? The
snow that had fallen so heavily the day before had cleared the air, and
the dazzle of sunshine finding its way into his unusually darkened den
prepared him for the brilliant scene without. It was not in that
direction, however, he first looked, for he was no sooner on his feet
than he noticed that the green door which he always kept shut and
padlocked was open, and that in the hall beyond a spade was standing,
from the lower edge of which a small stream of water had run, staining
the floor where it rested.
What did it mean, and what was the explanation of the dark stains like
wet mould on the skirt of the long wool garment that he wore? He looked
from one to the other, and the hair rose on his forehead. Summoning up
all his courage he staggered to the window and drawing the curtain back
with icy fingers, glanced out. Some vandal had been in the graveyard;
one of the graves had been desecrated and the snow and mould lay
scattered about. As he saw it he realized who the vandal had been, and
though no cry left his lips, his whole body stiffened till it seemed
akin to the one he had so nearly disinterred in the night. When life and
feeling again pervaded his frame he sank into a chair near the window
and these words fell from his lips: “My doom is upon me. I cannot escape
it. The will of God be done.”
The next instant he was on his feet. He dressed himself in haste,
shuddering as he bundled up the stained night-robe and thrust it into
the blazing fire of the stove. Then he caught up the spade, and opening
the outside door stepped into the glittering sunshine. As he did so he
noticed two things, equally calculated to daunt and surprise him. The
first was the double row of his own footsteps running to and fro between
the step and the heap of dirt and snow beside the monument; and the
other, an equally plain track of footsteps extending from the place
where he stood to the gate on his left. The former were easily
explainable, but the latter were a mystery; for if they had been made by
some nocturnal visitor, why were they all directed toward the highway?
Had not the person making them come as well as gone? Puzzled and no
little moved by this mystery, he nevertheless did not pause in the work
he had set for himself.
Public-domain text, read in full here on John Shaqi.
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