Clergy -- Fiction; Iowa -- Fiction; Mississippi River Valley -- Fiction
“You did not know,” he asked, “that Miss Hurley has been taking lessons
from Mademoiselle Moran for a month or more!”
“Oh, that!” said Lucille. “That's nonsense! If she wants to play
'Onward, Christian Soldiers' for the Sunday school, I don't object; but
church music! We have heard the organist at Derlingport!”
“I think,” said David, “that for a while at least, if we get a pipe
organ, Miss Hurley should be our organist. She is looking forward to it.
She is taking lessons with that in view!”
Lucille said nothing, but in her eyes David saw the resolve to be rid of
Miss Hurley.
“Miss Jane understands, I think,” David said, “that she is to continue
as our organist. At no advance in salary,” he smiled.
Lucille closed her mouth firmly. As clearly as if she had spoken, David
read in her face: “Well, if that's who is to play the pipe organ, I
shan't try to get one!” He did not wait for her to speak.
“I feel,” he said, “that if Miss Hurley is to be thrown out after
so many years of patient and faithful struggling with the miserable
instruments she has had to do with, it would be better to let the whole
idea of having a pipe organ drop. At any rate, the chance of getting one
seems small.”
“Oh, we're going to have one!” exclaimed Lucille, caught in the trap he
had prepared for her spirit of opposition. “I get what I go after, Mr.
Dean.”
X. LUCILLE DISCOVERS DAVID
IT was no new thing for David to feel the opposition of his choir;
indeed, is not the attitude of minister and choir in many churches
usually that of armed neutrality? How many ministers would drop dead
if all the bitterness that is put into some anthems could kill! To the
minister the choir is often a body of unruly artistic temperaments
bent on mere secular display of its musical talents; to the choir the
minister is a crass utilitarian, ignorant in all that relates to good
music, and stubbornly insisting that the musical program for each
day shall be twisted to illustrate some point in his sermon. To some
ministers it has seemed that eternal vigilance alone prevented the choir
from singing the latest “Gem from Comic Opera”; some choirs have felt
that unless they battled strenuously they would be tied down to “Old
Hundred” and “Blest Be the Tie that Binds,” by a minister who did not
know one note from another. How many ministers have, early in November,
begun to dread the inevitable quarrel over the choice of Christmas
music!
Public-domain text, read in full here on John Shaqi.
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