Dorothy South: A Love Story of Virginia Just Before the WarEggleston, George Cary
General
Dorothy South: A Love Story of Virginia Just Before the War
Eggleston, George Cary
Love stories; Virginia -- Fiction
One full half of the ground floor of the great mansion constituted the
single drawing room, wainscoted to the ceiling and provided with three
huge fire places built for the burning of cord wood. The floors were as
white as snow, the wainscoting as black as night with age and jealous
polishing with beeswax. After the architectural manner of the country,
there was a broad porch in front and another in rear, each embowered in
honeysuckles and climbing rose bushes. A passageway, more than twenty
feet in width ran through the building, connecting the two porches and
constituting the most generally used sitting room of the house. It had
broad oaken doors reaching across its entire width. They stood always
open except during the very coldest days of the mild Virginia winter,
there being no thought of closing them even at night. For there were no
criminal classes in that social fabric, and if there had been, the
certainty that the master of the mansion slept upon its ground floor
and knew what to do with a shot gun, would have been a sufficient
deterrent to invasion of the premises.
There were two large fire places in the hall for winter use. But the
glory of the place was the stairway, with its broad ashen steps and its
broader landings. Up and down it had passed generations of happy maidens
and matrons. Up and down it, prattling children had played and romped
and danced in happy innocence. Up and down it wedding guests and funeral
attendants had come and gone, carrying their burdens of flowers for the
bride and blossoms for the bier. Upon it had been whispered words of
love and tenderness that prepared the way for lives of happiness, and
sorrowful utterances that soothed and softened grief. Upon its steps
young men of chivalric soul had wooed maidens worthy of their devotion.
Upon its landings young maidens had softly spoken those words of consent
which ushered in lives of rejoicing.
The furniture of the house was in keeping with its spaciousness and its
solidity. Huge sofas were everywhere, broad enough for beds and long
enough for giants to stretch their limbs upon. Commodious,
plantation-made chairs of oak invited every guest to repose in the
broad hallway. In the drawing room, and in the spacious dining hall the
sedate ticking of high standing clocks marked time only to suggest its
abundance in that land of leisure, and to invite its lavish use in
enjoyment.
Now add to all this still life, the presence of charming people--men of
gracious mien and young women of immeasurable charm, young women whose
rich and softly modulated voices were exquisite music, and whose
presence was a benediction--and you may faintly understand the
surroundings in which Arthur Brent found himself on that deliciously
perfect Sunday afternoon in June, in the year of our Lord, 1859.
Public-domain text, read in full here on John Shaqi.
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