England -- Social life and customs -- Fiction; Marriage -- Fiction
So to town came Jeremy, leaving Mrs. Mumple in Old Mill House. She was
not idle. She was counting months now--not years now, but months; and
she was knitting socks, and making flannel shirts, and hemming big red
handkerchiefs, and picturing and wondering in her faithful old heart
what that morning would be like for whose coming she had waited so many
many years. Great hopes and great fears were under the ample breast of
her unshapely merino gown.
In the Imason household the strain grew more intense. With rare
tenacity, unimpaired confidence, and unbroken pride, Grantley maintained
his attitude. He would tire out Sibylla's revolt; he would outstay the
fit of sulks, however long it might be. But the strain told on him,
though it did not break him: he was more away; more engrossed in his
outside activities; grimmer and more sardonic when he was at home;
careful to show no feeling which might expose him to rebuff; extending
the scope of this conduct from his wife to his child, because his wife's
grievance was bound up with the child. And Sibylla, seeing the attitude,
seeing partially only and therefore more resenting the motives, created
out of it and them a monster of insensibility, something of an inhuman
selfishness, seeming the more horrible and unnatural from the
unchanging, if cold, courtesy which Grantley still displayed. This image
had been taking shape ever since their battle at Milldean. It had grown
with the amused scorn which was on his face as he told her of the
specialist's judgment, and made her see how foolish she had been, what
an unnecessary fuss she had caused, how dangerous and silly it was to
let one's emotions run away with one. It had defined itself yet more
clearly through the months before and after the boy's birth, as Grantley
developed his line of action and adhered to it, secure apparently from
every assault of natural tenderness. Now the portentous shape was all
complete in her imagination, and the monster she had erected freed her
from every obligation. By her hypothesis it was accessible by no appeal
and sensitive to no emotion. Why, then, labour uselessly? It would
indeed be to knock your head--yes, and your heart too--against a flinty
wall. As for trying to show or to cherish love for it--that seemed to
her prostitution itself. And she had no tenacity to endure such a life
as Grantley, or her image of Grantley, made for her. In her headlong
fashion she had already pronounced the alternatives--death or flight.
And there was the baby boy in his helplessness; and there was young
Blake with his ready hot passion, masked by those aspirations of his,
and his fiery indignation seconding and applauding the despair of her
own heart. For Blake knew the truth now--the truth as Sibylla's
imaginings made it; and in view of that truth the thing his passion
urged him to became a holy duty. His goddess must be no more misused;
her misery must not be allowed to endure.
Public-domain text, read in full here on John Shaqi.
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