Lange, Julius, 80 Learnæan hydra, 59 Lekythos, 16 Lippi, Madonna by, 55 Lucian, 2 Louvre Museum, 52, 53, 61, 64, 71, 76, 86 ----, kylix at the, 54 Lydian modes, 78 Lydos, 11 Lysippos, 1 Mandrocles, 72 Mantegna, 50 Marathon, 70, 71 Martial subjects, 43 _Mater dolorosa_, 50 Medusa, 59 Megakles, 11 Melos, 2, 14 Memnon, King, 45 Menelaos, 32, 45 Metics, 10, 14 Michelangelo, 2 Miltiades, 72 Minos, 2, 51 Minotaur, 53 Mikon, 52 Munich Museum, 42 ----, hydria at, 23, 25 Music, 78 Mycenæ, 2 Mycenæan age, 27 Mythological subjects, 43 Nature, 20, 21, 32, 50, 81 Nearchos, 18 Necropolis, 14 Neoptolemos, 62 Nereids and Peleus, 31 Nike Apteros, 71 Nikias, son of Hermokles, 11 Nikosthenes, 11, 44 Oinochoai, 16, 24 Onesimos, 71, 72 Oxide of iron, 26 Paidikos, 11, 75 Pamphaios, 11, 44 Panainos, 72 Panathenaic amphoræ, 16 ---- festival, 47 Paris, 32, 45, 48 Parnes, 16 Parrhasios, 1, 20 Pausanias, 2, 3 Peithinos, 57 Peloponnesian war, 10 Pericles, 1, 83 Persian, 32 ---- wars, 5, 52, 70 Phidias, 1, 20, 21 Phintias, 24 Phœnicians, 60 Pietà, 50 Pindar, 46 πίνακες, 32 Plato, 76 Pleïades, 5 Pliny, 2, 29 Plutarch, 10 Polygnotos, 1, 4, 20, 21, 49 Polykleitos, 1 Pompeii, 2, 3 Poseidon, 56 Praxiteles, 1 Protogenes, 29 Puvis de Chavannes, 3 Raphael, 3, 4 Renan, 85 Rhodes, 14 Riesner, 34 Robert, Carl, 63 Roman houses, 2 Ruvo, 23 Salamis, battle of, 70 Scythian colonies, 15 Sicily, 14 Silenus mask, 23 Sikanos, 11 Sikelos, 11 Skyphos, 17 Skythes, 11 Smikros, 11, 18 Solon, 10 Sophocles, 46, 61 Subjects of daily life, 43 Terracotta tablets, 23 Theseus, adventures of, 51 ---- and the Minotaur, 31 _Thetis, Rape of_, 54 Thracian Chersonese, 14 Thrax, 11 Tiryns, 2 Titus, 2 Trade mark, 16 Trojan horse, 70 ---- war, 45, 47, 62 Troïlos, 67 Tyrrhenian Sea, 14 Ulysses, 50, 62 Urbino, 4 Van der Weyden, Roger, 50 Van Eyck, 82 Venus of Melos, 85 Vienna Museum, kylix, 61, 67 Vinci, Leonardo da, 59, 85 Volsinii, 16 Woltmann, 3 Xerxes, 71 Zeuxis, 4, 20 PRINTED AT THE EDINBURGH PRESS, 9 AND 11 YOUNG STREET. * * * * * * Transcriber’s note: Punctuation, hyphenation of individual compound words, and spelling were made consistent when a predominant preference was found in the original book; otherwise they were not changed. The book’s hyphenation patterns were inconsistent. Simple typographical errors were corrected; unpaired quotation marks were remedied when the change was obvious, and otherwise left unpaired.