On the dome above the table, in the circle formed by the boxes, were the _petits chevaux_ in varied colours. The little brass horses had been carved by a Cubist, and painted in their various colours with highly glazed enamel. They were set in motion by a crank turned by the croupier. In the middle, beneath the horses, there hung a little searchlight which, lighted from below, reflected light upon the dome, and in this light they ran with the dome as a background. This was painted in the colours of the spectrum arranged alternately, so that there was always a dark horse against a light colour and a light one against a dark colour, followed by their shadows. This gave the effect of promiscuity which was intensified the faster they ran. The goal was formed by a thin strip of tiny electric lights let into the dome, and every box had an arrangement of mirrors by which its occupants could clearly recognize the winner. Wenk and his companions took their places in a box for four, which seemed to have been reserved for them. Cara and Karstens sat in front, the two other men behind. When the boxes were all filled, the croupier gathered his elegant evening dress about him, and slowly began to revolve in his seat, as if on a mechanical rotating disk, while he delivered the following oration: “Ladies and gentlemen, this is the ‘Go-ahead’ Institute. The ‘Go-ahead’ has in itself the roots of vigour and success. We live in times of change, and our undertaking is designed to suit all comers. Here you can play alone, or as a pair, or in company. You can play alone, because you can have a box for one person only, like the charming lady of whom I can see no more than the red heron’s feathers in her coiffure. If you think that for good luck two heads are better than one, you can seclude yourself from your fellows like yonder elegant cavalier and his lady; and if you choose to play in company you are equally invisible from my point of view. In the dome, ladies and gentlemen, you will find our game, the game of the house, I may venture to call it, although every other game is equally at your service. There you see the _petits chevaux_ of the ‘Go-ahead’ Institute. One of the first artists of our day, whose work you are constantly encountering in exhibitions and periodicals, has designed them for the ‘Go-ahead,’ and placed them here, and we have united art with technique, the strongest product of the age. The reflecting apparatus allows everyone from any place whatsoever to see at once and quite distinctly whether his horse is in at the finish. Allow me to demonstrate to you, by a mere turn of the handle, the very artistic and effective play and counterplay which is developing in the dome. There was once a man who had no shadow, but that cannot be said of our _petits chevaux_. Notice, I beseech you, the extremely artistic effect produced when substance and shadow thus unite in a piece of work which in its resourcefulness and originality does