Some of us are yet alive who recollect the little saccharine poems, the
plaintive little sonnets, the--well, yes, to speak the truth--the washy
three-volume novels which were composed in that sturdy old building
and dated thence. Sturdy outside, but lovely within. Such furniture:
white satin and gold, black satin and red trimming; such pictures, and
statues, and busts; such looking-glasses let into the walls at every
conceivable place; such hanging baskets and ormolu clocks, and Dresden
and Sèvres china; such Chinese fans, and Indian screens, and Turkish
yataghans and Malay creeses; such books--at least, such bindings; such
a satinwood desk, at which the Countess penned her inspirations; such a
solemn-sounding library clock, which had belonged to Marie Antoinette;
such lion-skins and leopard-skins for rugs; such despatch-boxes with
the Della Cruscan coronet and cipher; such waste-paper baskets always
littered with proof-sheets! The garden! never was anything seen like
that! It was not much more than half an acre, but Smiff, the great
landscape gardener, made it look more like a square mile. Delightfully
rustic and English here, quaintly Dutch there, Italian terraced a
little lower down, small avenue, vista broken by the fountain; might be
a thousand miles away from London, so everyone said. Everyone said so,
because everyone came there. Who was everyone? Well, the Grand-Duke of
Schweinerei was someone, at all events. Ex-Grand-Duke, I should have
said, recollecting that some years before, the people of Schweinerei,
although by no means a strait-laced people, grew so disgusted at the
"goings-on" of their reigning potentate, that they rose in revolt, and
incontinently kicked him out. Then he came to England, where he has
remained ever since, dwelling in a big house, and occupying his spare
time with fighting newspapers for libelling him in a very blackguard
and un-English manner. His highness is an elderly, short, fat man,
with admirably-fitting wig and whiskers of the Tyrian purple. He has
dull bleary eyes, pendulous cheeks, and a great fat double chin. He
is covered all over with diamonds: his studs are diamonds; he wears
a butterfly diamond brooch on the knot of his white cravat; his
waistcoat-buttons are diamonds; his sleeve-links are diamonds; and he
resembles the old woman of Banbury Cross in having (diamond) rings on
his fingers, and probably, for all the historian knows to the contrary,
on his toes.
Public-domain text, read in full here on John Shaqi.
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