Dreams, Waking Thoughts, and IncidentsBeckford, William
General
Dreams, Waking Thoughts, and Incidents
Beckford, William
Beckford, William, 1760-1844
Whilst I was observing them, the sun began to colour the balustrades of
the palaces, and the pure exhilarating air of the morning drawing me
abroad, I procured a gondola, laid in my provision of bread and grapes,
and was rowed under the Rialto, down the grand canal, to the marble steps
of S. Maria della Salute, erected by the Senate in performance of a vow
to the Holy Virgin, who begged off a terrible pestilence in 1630. I
gazed, delighted with its superb frontispiece and dome, relieved by a
clear blue sky. To criticize columns or pediments of the different
façades, would be time lost; since one glance upon the worst view that
has been taken of them, conveys a far better idea than the most elaborate
description. The great bronze portal opened whilst I was standing on the
steps which lead to it, and discovered the interior of the dome, where I
expatiated in solitude; no mortal appearing except an old priest who
trimmed the lamps, and muttered a prayer before the high altar, still
wrapped in shadows. The sunbeams began to strike against the windows of
the cupola just as I left the church, and was wafted across the waves to
the spacious platform in front of St. Giorgio Maggiore, by far the most
perfect and beautiful edifice my eyes ever beheld.
When my first transport was a little subsided, and I had examined the
graceful design of each particular ornament, and united the just
proportion and grand effect of the whole in my mind, I planted my
umbrella on the margin of the sea, and reclining under its shade, my feet
dangling over the waters, viewed the vast range of palaces, of porticos,
of towers, opening on every side and extending out of sight. The Doge’s
residence and the tall columns at the entrance of the place of St. Mark,
form, together with the arcades of the public library, the lofty
Campanile and the cupolas of the ducal church, one of the most striking
groups of buildings that art can boast of. To behold at one glance these
stately fabrics, so illustrious in the records of former ages, before
which, in the flourishing times of the republic, so many valiant chiefs
and princes have landed, loaded with the spoils of different nations, was
a spectacle I had long and ardently desired. I thought of the days of
Frederic Barbarossa, when looking up the piazza of St. Mark, along which
he marched in solemn procession, to cast himself at the feet of Alexander
the Third, and pay a tardy homage to St. Peter’s successor. Here were no
longer those splendid fleets that attended his progress; one solitary
galeass was all I beheld, anchored opposite the palace of the Doge, and
surrounded by crowds of gondolas, whose sable hues contrasted strongly
with its vermilion oars and shining ornaments. A party-coloured
multitude was continually shifting from one side of the piazza to the
other; whilst senators and magistrates in long black robes were already
arriving to fill their respective charges.
Public-domain text, read in full here on John Shaqi.
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