Having enjoyed the general perspective of the piazza, I began to enter into particulars, and examine the bronze pedestals of the three standards before the great church, designed by Sansovino in the true spirit of the antique, and covered with relievos, at the same time bold and elegant. It is also to this celebrated architect we are indebted for the stately façade of the Proccuratie nuove, which forms one side of the square, and presents an uninterrupted series of arcades and marble columns exquisitely wrought. Opposite this magnificent range appears another line of palaces, whose architecture, though far removed from the Grecian purity of Sansovino, impresses veneration, and completes the pomp of the view. [Picture: Grand Canal, Venice] There is something strange and singular in the tower, which rises distinct from the smooth pavement of the square, a little to the left as you stand before the chief entrance of St. Mark’s. The design is rather barbarous, and terminates in uncouth and heavy pyramids; yet in spite of these defects it struck me with awe. A beautiful building called the Loggetta, and which serves as a guard-house during the convocation of the grand council, decorates its base. Nothing can be more enriched, more finished than this structure; which, though far from diminutive, is in a manner lost at the foot of the Campanile. This enormous mass seems to promise a very long duration, and will probably carry down the fame of St. Mark and his Lion to the latest posterity. Both appear in great state towards its summit, and have nothing superior, but an archangel perched on the topmost pinnacle, and pointing to the skies. The dusk prevented my remarking the various sculptures with which the Loggetta is crowded. Crossing the ample space between this elegant edifice and the ducal palace, I passed through a labyrinth of pillars and entered the principal court, of which nothing but the great outline was visible at so late an hour. Two reservoirs of bronze, rich with sculptured foliage, diversify the area. In front a magnificent flight of steps presents itself, by which the senators ascend through vast and solemn corridors, which lead to the interior of the edifice. The colossal statues of Mars and Neptune guard the entrance, and have given the appellation of _scala dei geganti_ to the steps below, which I mounted not without respect; and, leaning against the balustrades, formed like the rest of the building of the rarest marbles, adored the tutelary divinities.