Dress design $b: an account of costume for artists & dressmakersHughes, Talbot
History
Dress design $b: an account of costume for artists & dressmakers
Hughes, Talbot
Clothing and dress; Clothing and dress -- Great Britain
The classic high-waisted dress continued till 1808, and was often
beautifully decorated with white embroidery and gold or tinsel, as in A,
Plates XX and XXIII (see pp. 199, 218), and the frontispiece is a lovely
white example. There were several interesting drapings, one being a cord
hanging from the back of the shoulder to loop up the train of the dress,
as in A, Plate XXII (see p. 215). The simple tunic shapes are better
described by the illustrations: more originality was essayed in
design after the last-mentioned date. A high Vandyked lace collar and
fan setting to the shoulders appeared, and many interesting dresses of a
plain cut, mostly in velvet and silks, were worn about 1810-12. A
gathered sleeve drawn tight at intervals was often seen up to 1816, when
embroidered ruffles and frills decorated most of the necks and skirts,
and a braided type of character, rather military in effect with
beautifully piped edgings, came in from about 1817. Spencer bodices were
an additional interest at this period, and a short puff sleeve was
generally banded or caught with bows; these being often worn over a
fairly loose long sleeve gathered by a wristband. Dresses were worn
shorter from about 1810. Charming lace and embroidered fichus crossed
the shoulders, and long scarf-capes were thrown round the neck and were
often tied round behind, as in the 18th century; long capes with points
and tassels in front fell to the knees, and a simple pelisse with cape
became a pleasing feature. Bags were always carried, of which there is a
variety of shapes in the plates; long gloves or mittens were generally
worn. Parasols of a flat shape, or others with round or pagoda shaped
tops are seen, many being edged with a deep fringe. Long purses were
often tucked through the waistband.
[Illustration: FIG. 109.]
The pointed shoe, tied sandal fashion up the leg, and with no heel,
remained through this reign, but a round-toed low shoe, tied on in the
same manner, began to supersede it about 1810.
NINETEENTH CENTURY. GEORGE III. MALE.
Wigs had practically gone out, except for a few of the latter type of
the 18th century amongst elderly people. The hair was now worn short,
and left rather full on the front, with short side-whiskers. Plain black
or white stocks tied with a front bow, and a starched or unstarched
collar with a frilled or gathered shirt-front were in use. A tie-pin or
stud was also seen in the centre of the stock or frilling.
The same hats as in the latter part of the 18th century continued for a
time, but the top-hat had established its favour, and assumed various
shapes throughout this reign.
[Illustration: Plate XXVI.--
(_a_) Morning Coat of Chintz. 1825-45.
_Pattern, see p. 313._
(_b_) Cloth Coat. 1808-20.
_Pattern, see p. 307._
(_c_) Cloth Overcoat. 1820-35.
_Pattern similar to p. 311._]
Public-domain text, read in full here on John Shaqi.
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