Driftwood Spars: The Stories of a Man, a Boy, a Woman, and Certain Other People Who Strangely Met Upon the Sea of LifeWren, Percival Christopher
History
Driftwood Spars: The Stories of a Man, a Boy, a Woman, and Certain Other People Who Strangely Met Upon the Sea of Life
Wren, Percival Christopher
India -- History -- British occupation, 1765-1947 -- Fiction
On the banks of this river stood an ancient walled city of tall houses
separated by narrow streets, a city of smells and filth, wherein there
were no Sahibs, few Hindus and many Mussulmans. In a mud-floored
miserable _mussafarkhana_,[46] without its gates, Moussa Isa slept,
naked, hungry and very sad--for he somehow seemed to have missed the
sea. Surely if one kept on due westward always to the setting sun, one
reached the sea in time? The time was growing long, however, and he was
among a strange people, few of whom understood the Hindustani he had
learnt at Duri. Luckily they were largely Mussulmans. Should he abandon
the setting sun and take to the river, following it until it reached the
sea? He could take ship then for Africa by creeping aboard in the
darkness, and hiding himself until the ship had started.... There might
be no city at the mouth of the river when he got there. It might never
reach the sea. It might just vanish into some desert like the
Webi-Shebeyli in Somaliland. No, he would keep on toward the West,
crossing the great bridge in the morning. He did so, and turned aside
to admire the railway-station of the Cantonment on the other side of the
river, to get a drink, and to see a train come in, if happily such might
occur.
[46] Poor travellers' rest-house.
Ere he had finished rinsing his mouth and bathing his feet at the public
water-standard on the platform, the whistle of a distant train charmed
his ears and he sat him down, delighted, to enjoy the sights and sounds,
the stir and bustle, of its arrival and departure. And so it came about
that certain passengers by this North West Frontier train were not a
little intrigued to notice a small and very black boy suddenly arise
from beside the drinking-fountain and, with a strange hoarse scream,
fling himself at the feet of a young Englishman (who in Norfolk jacket
and white flannel trousers strolled up and down outside the first-class
carriage in which he was travelling to Kot Ghazi from Karachi), and with
every sign of the wildest excitement and joy embrace and kiss his
boots....
Moussa Isa was convinced that he had gone mad and that his eyes and
brain were playing him tricks.
Mr. John Robin Ross-Ellison (also Mir Ilderim Dost Mahommed Mir Hafiz
Ullah Khan when in other dress and other places) was likewise more than
a little surprised--and certainly a little moved, at the sight of Moussa
Isa and his wild demonstrations of uncontrollable joy.
"Well, I'm damned!" said he in the _rôle_ of Mr. John Robin
Ross-Ellison. "Rum little devil. Fancy your turning up here." And in the
_rôle_ of Mir Ilderim Dost Mahommed Mir Hafiz Ullah Khan added in
debased Arabic: "Take this money, little dog, and buy thee a _tikkut_
to Kot Ghazi. Get into this train, and at Kot Ghazi follow me to a
house."
Public-domain text, read in full here on John Shaqi.
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