_I dreamt that I dwelt in marble halls
With vassals and serfs at my side
And of all who assembled within those walls
That I was the hope and the pride.
I had riches too great to count, could boast
Of a high ancestral name,
But I also dreamt, which pleased me most,
That you loved me still the same._
But no one tried to show her her mistake; and when she had ended her
song Joe was very much moved. He said that there was no time like the
long ago and no music for him like poor old Balfe, whatever other
people might say; and his eyes filled up so much with tears that he
could not find what he was looking for and in the end he had to ask his
wife to tell him where the corkscrew was.
A PAINFUL CASE
Mr James Duffy lived in Chapelizod because he wished to live as far as
possible from the city of which he was a citizen and because he found
all the other suburbs of Dublin mean, modern and pretentious. He lived
in an old sombre house and from his windows he could look into the
disused distillery or upwards along the shallow river on which Dublin
is built. The lofty walls of his uncarpeted room were free from
pictures. He had himself bought every article of furniture in the room:
a black iron bedstead, an iron washstand, four cane chairs, a
clothes-rack, a coal-scuttle, a fender and irons and a square table on
which lay a double desk. A bookcase had been made in an alcove by means
of shelves of white wood. The bed was clothed with white bedclothes and
a black and scarlet rug covered the foot. A little hand-mirror hung
above the washstand and during the day a white-shaded lamp stood as the
sole ornament of the mantelpiece. The books on the white wooden shelves
were arranged from below upwards according to bulk. A complete
Wordsworth stood at one end of the lowest shelf and a copy of the
_Maynooth Catechism_, sewn into the cloth cover of a notebook, stood at
one end of the top shelf. Writing materials were always on the desk. In
the desk lay a manuscript translation of Hauptmann’s _Michael Kramer_,
the stage directions of which were written in purple ink, and a little
sheaf of papers held together by a brass pin. In these sheets a
sentence was inscribed from time to time and, in an ironical moment,
the headline of an advertisement for _Bile Beans_ had been pasted on to
the first sheet. On lifting the lid of the desk a faint fragrance
escaped—the fragrance of new cedarwood pencils or of a bottle of gum or
of an overripe apple which might have been left there and forgotten.
Public-domain text, read in full here on John Shaqi.
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