E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No TitleMeans, E. K. (Eldred Kurtz)
General
E. K. Means: Is This a Title? It Is Not. It Is the Name of a Writer of Negro Stories, Who Has Made Himself So Completely the Writer of Negro Stories That His Book Needs No Title
Means, E. K. (Eldred Kurtz)
African Americans -- Fiction; Short stories, American
Figger was necessary because his superb voice added to the others,
completed the most melodious male quartette in Louisiana. Hitch Diamond
as a prize-fighter, Vinegar Atts as an ex-pugilist who had been called
to preach, each possessed the physical strength of a forty-horse-power
mule. Skeeter needed them to lift his automobile out of the mud and to
push it through the sand.
Was not that a thoughtful selection of first-aids to the helpless?
Truly, that outfit was a fearful and wonderful thing.
When those four negroes climbed into that car and began to sing to
the accompaniment of a mechanism which sounded like a saw-mill, a
cotton-gin, and a boiler factory loaded upon a log-train chasing a herd
of bleating billy-goats along the public highway, the effect produced
made the pious cross themselves, the ungodly “cuss,” and the little
children run to their mothers, whimpering with fright.
A white man might think a thousand years and never think up an
arrangement like that.
Then to show that his mental incubator was still capable of hatching
out little fuzzy, two-legged chicken-headed thoughts, Skeeter bought a
steamboat!
“Whar is Hitch Diamond at, Kunnel?” Skeeter asked of a handsome,
white-haired gentleman standing in front of the Tickfall post-office.
“He’s up at my house, unloading fireworks from a dray,” Colonel
Gaitskill answered.
“Hitch don’t go back to wuck to-day, do he?” Skeeter inquired in a
shocked tone.
“Certainly not,” Gaitskill smiled. “This is a national holiday. I
imagine Hitch has finished that little job now. Are you folks going off
to make a day of it?”
“Yes, suh, us is fixin’ to cel’brate, too!” Skeeter chuckled.
“Do you know why we celebrate the Fourth of July, Skeeter?” Gaitskill
asked with a smile.
Skeeter knew. He also knew that “Fighting Tom” Gaitskill stood before
him, and this old soldier had not fought with the heroes of ’76. He
tempered his answer to a hero of the Lost Cause.
“Shore, Marse Tom!” he chuckled. “Dis is de day dat our white marsters
kilt all de dam-yanks!”
Gaitskill laughed.
“Your answer is a credit to your tact and diplomacy, Skeeter, but it
certainly upsets the records of history. Where are you going?”
“We’s gwine down to de river.”
“I want you and Hitch Diamond to help me with the fire-works to-night,”
Gaitskill said. “You get back by dark.”
“Shore, Marse Tom!” Skeeter cackled. “We ain’t gwine miss no free show.
I’ll go git Hitch an’ de rest of de bunch now!”
The seven-mile road to the Mississippi River was smooth and level and
was a favorite with Vinegar and Hitch, who preferred riding to climbing
out to lift or push. So, one hour later, the automobile quartette stood
beside a stump on the banks of that majestic stream and sang of the
time “when de water’s so low, de bullfrog roll up his pants jes’ so,
and wade acrost from sho’ to sho’; while over in de channel de catfish
say: ‘We’s gittin’ plum’ freckle-faced down our way.’”
Public-domain text, read in full here on John Shaqi.
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