"That's a very good black boy we've got to wait at table and do the chores," Celestine remarked approvingly to her mistress, as she brought a shawl of different thickness, suitable to the dew in the air, to put round her. "He's a deal sight more serious-minded than the rantum-scootum boys one has to put up with in a wanderin' life like this. He's spry, yet he's steady too; and he sings like a bobolink, though his songs are most _dreadful_ as to words. There's one, 'O Lord, these _bones_ of mine! O Lord, these BONES of mine! O Lord, these BONES of mine!'"--Celestine sang this quotation in a high chanting voice, with her eyes closed and her face screwed up tightly, which was her usual expression when musical. "And I suppose it refers to rheumatism," she added, descending to her ordinary tones; "but it's very irreverent. He doesn't know 'The Draggle-tail Gypsies,' nor yet 'Barbara Allen,' nor yet 'I'll Make You a Present of a Coach and Six;' but I'm going to sing 'em to him some day. I feel that I must do my duty by him, poor neglected African. Have you any objections to my teaching him to read?" "No, provided he doesn't read my books," Mrs. Rutherford answered. "He will read in McGuffey's Third Reader," responded Celestine. Winthrop had retained his bachelor quarters at the Seminole; the house over the old monks' passage was not large, and Mrs. Rutherford was fond of space. She liked open doors in all directions, she liked to have several sitting-rooms; she liked to leave her book in one, her fan in another, her scent-bottle or handkerchief in a third, and have nobody disturb them. "I don't detect in you, Aunt Katrina, any signs of the ruin you mentioned," her nephew said, as they sat together, that first evening, on the piazza. The light from the room within shone across Mrs. Rutherford's face and the soft waves of her silvery hair as, with a pink shawl thrown round her, she sat leaning back in an easy-chair. "Celestine repairs the breaches so cleverly that no doubt I continue to present a fair appearance to the world," she answered, drawing the shawl more closely round her shoulders, and then letting her hands drop on its pink fringes. Mrs. Rutherford's hands always took statuesque positions; but probably that was because they were statuesque hands. They were perfect in shape according to sculptors' rules, full and white, one ringless, its beautiful outlines unmarred, the other heavily weighted with gems, which flashed as she moved.