New York (N.Y.) -- Fiction; Romans à clef; Spouses -- Fiction; Women novelists -- Fiction
I walked past a modern apartment house, and past one or two remodelled
houses, to the little houses in their pristine style. I wondered if
Nicholas Van Suydam knew that it was in him to build the greatest of
the towers now thrusting their insolent heads skyward; and I reflected
that the towers might be in his imagination, but the old red brick of
New York had always been in his blood. Not for a moment did I doubt
which of the two had selected this house. Home means the opposite of
a man’s work, while a woman carries her home with her, even, when
necessary, into the office. I went up the high and narrow stoop, liking
the house more and more as I noticed that even the basement windows
were charmingly curtained and as I pulled the shiny brass knob of the
old-fashioned bell. I smiled at the house, and the house, I felt,
smiled back at me, personally good-natured about it. Home means a house
that smiles inside and out. Through the curtains of the drawing-room
windows I saw a chintz easy-chair, a smoking stand beside it and
flowers beyond it. To the elderly eyes of Mrs. Van Suydam, accustomed
as they were to what was undoubtedly the austerity of the Washington
Square mansion, this aspect of a cheery sudden blooming must have
seemed ominous of early departure.
A warm welcome awaited me behind the white painted door. Eva’s personal
maid, Mattie, smiled broadly. But she had time to whisper: “Miss Dinah,
please ma’am lemme speak to you jes’ a minute ’fore you goes?”
I started up the flight of stairs to the second storey. “The door
towards the back, Miss Dinah,” Mattie called after me, intelligently
staying at the foot of the stairway’s drag on the heart.
Eva had a way of enveloping a guest in a greeting the warmth of which
became at once a recitation of her own affairs. “Oh, darling--oh, I’m
so glad to see you! If you only knew how I need to talk with you!”
“H-m-m,” I remarked, if this exhalation of the breath can be called
a remark. “Over the telephone, you didn’t impress me as feeling so
strongly about seeing me.”
She paid no attention to this. “Oh--” she cried on a rising note--“if
you only knew! Everything is going to pot!” Holding me by the hand,
she dragged me into her study, dashing past the chairs, pushing me on
the day-bed and throwing herself down beside me to fix her eyes on my
face. “Everything is wrong,” she wailed. She had a long and slender and
round throat, and the hollows at the base were delicately modelled. But
her face had begun to suggest wasted years; it was the face of one to
whom already life had brought disillusion. I thought her more nervously
upset than I had ever before seen her.
Public-domain text, read in full here on John Shaqi.
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