Eclectic Magazine of Foreign Literature, Science, and Art, March 1885Various
History
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885
Various
American literature -- Periodicals; Literature -- Periodicals
“Not to let you be taken in by men without pity,” I said.
He gave me a strange glance, which I did not very well understand, and
said, abruptly, a thing which, so far as I remember, he had never in my
life said before, “You've become a little like your mother, Phil—”
“My mother!” The reference was so unusual—nay, so unprecedented—that I
was greatly startled. It seemed to me like the sudden introduction of
a quite new element in the stagnant atmosphere, as well as a new party
to our conversation. My father looked across the table, as if with some
astonishment at my tone of surprise.
“Is that so very extraordinary?” he said.
“No; of course it is not extraordinary that I should resemble my
mother. Only—I have heard very little of her—almost nothing.”
“That is true.” He got up and placed himself before the fire, which
was very low, as the night was not cold—had not been cold heretofore
at least; but it seemed to me now that a little chill came into the
dim and faded room. Perhaps it looked more dull from the suggestion
of a something brighter, warmer, that might have been. “Talking of
mistakes,” he said, “perhaps that was one: to sever you entirely from
her side of the house. But I did not care for the connection. You
will understand how it is that I speak of it now when I tell you—”
He stopped here, however, said nothing more for a minute or so, and
then rang the bell. Morphew came, as he always did, very deliberately,
so that some time elapsed in silence, during which my surprise grew.
When the old man appeared at the door—“Have you put the lights in the
drawing-room, as I told you?” my father said.
“Yes, sir; and opened the box, sir; and it's a—it's a speaking
likeness—”
This the old man got out in a great hurry, as if afraid that his master
would stop him. My father did so with a wave of his hand.
“That's enough. I asked no information. You can go now.”
The door closed upon us, and there was again a pause. My subject had
floated away altogether like a mist, though I had been so concerned
about it. I tried to resume, but could not. Something seemed to
arrest my very breathing: and yet in this dull respectable house of
ours, where everything breathed good character and integrity, it was
certain that there could be no shameful mystery to reveal. It was some
time before my father spoke, not from any purpose that I could see,
but apparently because his mind was busy with probably unaccustomed
thoughts.
“You scarcely know the drawing-room, Phil,” he said at last.
“Very little. I have never seen it used. I have a little awe of it, to
tell the truth.”
“That should not be. There is no reason for that. But a man by himself,
as I have been for the greater part of my life, has no occasion for a
drawing-room. I always, as a matter of preference, sat among my books;
however, I ought to have thought of the impression on you.”
“Oh, it is not important,” I said; “the awe was childish. I have not
thought of it since I came home.”
Public-domain text, read in full here on John Shaqi.
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