Eclectic Magazine of Foreign Literature, Science, and Art, March 1885Various
History
Eclectic Magazine of Foreign Literature, Science, and Art, March 1885
Various
American literature -- Periodicals; Literature -- Periodicals
This sudden alteration took me still more by surprise, and gave me
almost an additional shock; but it was evident that I must follow the
changes of his mood, or at least the sudden repression of sentiment
which he originated. We went into that simpler question with great
seriousness, consulting which would be the best light. “You know I can
scarcely advise,” I said; “I have never been familiar with this room. I
should like to put off, if you don't mind, till daylight.”
“I think,” he said, “that this would be the best place.” It was on the
other side of the fireplace, on the wall which faced the windows—not
the best light, I knew enough to be aware, for an oil-painting. When
I said so, however, he answered me with a little impatience,—“It does
not matter very much about, the best light. There will be nobody to
see it but you and me. I have my reasons——” There was a small table
standing against the wall at this spot, on which he had his hand as he
spoke. Upon it stood a little basket in very fine lace-like wickerwork.
His hand must have trembled, for the table shook, and the basket fell,
its contents turning out upon the carpet,—little bits of needlework,
colored silks, a small piece of knitting half done. He laughed as
they rolled out at his feet, and tried to stoop to collect them, then
tottered to a chair, and covered for a moment his face with his hands.
No need to ask what they were. No woman's work had been seen in the
house since I could recollect it. I gathered them up reverently and put
them back. I could see, ignorant as I was, that the bit of knitting was
something for an infant. What could I do less than put it to my lips?
It had. been left in the doing—for me.
“Yes, I think this is the best place,” my father said a minute after,
in his usual tone.
We placed it there that evening with our own hands. The picture was
large, and in a heavy frame, but my father would let no one help me
but himself. And then, with a superstition for which I never could
give any reason even to myself, having removed the packings, we closed
and locked the door, leaving the candles about the room, in their soft
strange illumination lighting the first night of her return to her old
place.
Public-domain text, read in full here on John Shaqi.
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