Edinburgh: Painted by John Fulleylove; described by Rosaline MassonMasson, Rosaline
History
Edinburgh: Painted by John Fulleylove; described by Rosaline Masson
Masson, Rosaline
Edinburgh (Scotland) -- Description and travel
narrow wynds leading from the Cowgate into the High Street, and there
found the Douglases awaiting them in a compact mass, and amid cries of
“A Douglas! A Douglas!” and “A Hamilton! A Hamilton!” the slaughter
began. When the causeways and the closes were piled with the dead, and
the battle had been won by the Douglases, the Earl of Arran cut his way
through his enemies and escaped by swimming the Nor’ Loch on a collier’s
horse. Archbishop Beaton sought sanctuary in Blackfriars, and was
dragged out from behind the Altar, and was saved, not by his clattering
armour, but by the timely intercession of Gavin Douglas.
The next Scottish poet after Gavin Douglas was Lindsay, who was
Lyon-King-at-Arms to James V. He also was a notable inhabitant of
Edinburgh, and, like Gavin, has left poems addressed to it:--
Adieu, Edinburgh! thou heich triumphant toun,
Within whose bounds richt blithefull have I been,
Of true merchands the root of this regioun
Most ready to receive Court, King, and Queen!
Thy policy and justice may be seen:
Were devotioun, wisdom, and honesty,
And credence tint, they micht be found in thee.
James V.’s widow, Mary of Guise, for six years Queen Regent of Scotland,
had her palace and her oratory on the north side of the Castle Hill,
where she was well protected by the guns of the Castle. It was
accessible through narrow closes until 1846, with some remains of its
former grandeur to be seen in lofty ceilings, in mouldings and carvings,
the words “Laus et Honor Deo” and a monogram of the Virgin on the
residence, and “Nosce Teipsum” and the date 1557 on the oratory. Now,
its place knoweth it no more, and the United Free Assembly Hall reigns
in its stead.
But, though the palace of the Frenchwoman, who struggled so hard against
the wave of the Reformation as it swept over Scotland, is gone, the
manse of the Reformer, her enemy, John Knox, remains,--not only
preserved from destruction, but turned into a species of museum, with a
custodian to click on the electric light. John Knox’s house[50] forms
one of the popular sights of Edinburgh, and is a conspicuous and
picturesque object, standing half-way down the High Street, with its
angle of wooden frontage jutting out into the street, and its
“fore-stair” and its gables. Over the door is the half-obliterated
legend “Lufe God abufe al and yi nychtbour as yi self,” and there is a
small effigy of Knox preaching, his hand pointing to a sun on which is
engraved the name of God in English, in Greek, and in Latin. The house
is three-storeyed. It is supposed that the Reformer occupied the first
storey, where are shown the window from which he is said to have
preached to the populace below, and his tiny study, with the old
Scottish pin or risp on the door.
Public-domain text, read in full here on John Shaqi.
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