Edinburgh: Picturesque NotesStevenson, Robert Louis
General
Edinburgh: Picturesque Notes
Stevenson, Robert Louis
Edinburgh (Scotland) -- Description and travel
For about two miles the road climbs upwards, a long hot walk in summer
time. You reach the summit at a place where four ways meet, beside the
toll of Fairmilehead. The spot is breezy and agreeable both in name and
aspect. The hills are close by across a valley: Kirk Yetton, with its
long, upright scars visible as far as Fife, and Allermuir the tallest on
this side with wood and tilled field running high upon their borders, and
haunches all moulded into innumerable glens and shelvings and variegated
with heather and fern. The air comes briskly and sweetly off the hills,
pure from the elevation and rustically scented by the upland plants; and
even at the toll, you may hear the curlew calling on its mate. At
certain seasons, when the gulls desert their surfy forelands, the birds
of sea and mountain hunt and scream together in the same field by
Fairmilehead. The winged, wild things intermix their wheelings, the
sea-birds skim the tree-tops and fish among the furrows of the plough.
These little craft of air are at home in all the world, so long as they
cruise in their own element; and, like sailors, ask but food and water
from the shores they coast.
Below, over a stream, the road passes Bow Bridge, now a dairy-farm, but
once a distillery of whisky. It chanced, some time in the past century,
that the distiller was on terms of good-fellowship with the visiting
officer of excise. The latter was of an easy, friendly disposition, and
a master of convivial arts. Now and again, he had to walk out of
Edinburgh to measure the distiller’s stock; and although it was agreeable
to find his business lead him in a friend’s direction, it was unfortunate
that the friend should be a loser by his visits. Accordingly, when he
got about the level of Fairmilehead, the gauger would take his flute,
without which he never travelled, from his pocket, fit it together, and
set manfully to playing, as if for his own delectation and inspired by
the beauty of the scene. His favourite air, it seems, was ‘Over the
hills and far away.’ At the first note, the distiller pricked his ears.
A flute at Fairmilehead? and playing ‘Over the hills and far away?’ This
must be his friendly enemy, the gauger. Instantly horses were harnessed,
and sundry barrels of whisky were got upon a cart, driven at a gallop
round Hill End, and buried in the mossy glen behind Kirk Yetton. In the
same breath, you may be sure, a fat fowl was put to the fire, and the
whitest napery prepared for the back parlour. A little after, the
gauger, having had his fill of music for the moment, came strolling down
with the most innocent air imaginable, and found the good people at Bow
Bridge taken entirely unawares by his arrival, but none the less glad to
see him. The distiller’s liquor and the gauger’s flute would combine to
speed the moments of digestion; and when both were somewhat mellow, they
would wind up the evening with ‘Over the hills and far away’ to an
accompaniment of knowing glances.
Public-domain text, read in full here on John Shaqi.
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