“Who knows not Melville’s beechy grove, And Roslin’s rocky glen, Dalkeith, which all the virtues love, And classic Hawthornden?” When Scott wrote these lines, ninety-one years ago, the reputation of the valley of the Esk for scenic beauty and picturesqueness, and the fashion of holiday peregrinations to it, on that account and on account of the attractions of its historical associations, by the citizens of Edinburgh or by tourists visiting Edinburgh, had already been fully formed. The reputation and the fashion have been kept up ever since, and Drummond’s memory has had the benefit. Whatever the other attractions of the valley of the Esk and its neighbourhood, the twin pre-eminence among them has belonged to Roslin and Hawthornden; and hence it has happened that hundreds and thousands who had never read a line of Drummond’s, and knew but vaguely in what century he lived, have looked admiringly at the cliff-socketed and quaintly gabled and turreted edifice, partly built by himself and partly of more ruinous antiquity, where he had his dwelling, have walked round it in the grounds where he once walked, have descended as he used to descend into the leafy dell of the river beneath, and so have taken into their minds some image of the man by the memory of whom the place has been consecrated. Hawthornden is in the parish of Lasswade; and it is in the churchyard of Lasswade, two miles from the Hawthornden mansion, that one sees the bit of old masonry, called the Drummond Aisle, and once a portion of the church itself, within which is Drummond’s grave. Did he foresee that this would be his resting-place, or was he only writing metaphorically, when he penned the lines, now perhaps the most frequently quoted piece of his verse, giving instructions for his epitaph? His most intimate friend and correspondent through his life was Sir William Alexander of Menstrie, eventually Earl of Stirling and Secretary of State for Scotland,—one of those London Scots above mentioned who divided for a while with Drummond in London literary circles the palm of the primacy in Scoto-British poetry. There was no jealousy between them on that account; on the contrary, Alexander, as a man of high Court influence, regarded himself as standing in a relation of patronage to Drummond, while Drummond, acknowledging this relation, and proud of it, looked up to Alexander and admired him hugely. Their friendship, nevertheless, was as close and affectionate as ever bound two men together, and in their letters to each other they always, to signify this, called themselves, in the fashion of the pastoralists, Alexis and Damon. Well, it was in the year 1621, or thereabouts, that Drummond, then only about thirty-five years of age, but hardly recovered from a severe illness which had brought him to the doors of death and left him in a mood of melancholy depression, sent a sonnet to Alexander, containing these lines:—