Inspiration must be presupposed; but in itself it can do nothing good unless it is in harmony with reason, or is brought into harmony with it. This two-edged wisdom that makes impulse the stuff of life and reason its criterion, is, of course, lost on Nietzsche, and with it the whole marvel of Greek genius. There is nothing exceptional in being alive and impulsive; any savage can run wild and be frenzied and enact histrionic passions: the virtue of the Greeks lay in the exquisite firmness with which they banked their fires without extinguishing them, so that their life remained human (indeed, remained infra-human, like that of Nietzsche's superman) and yet became beautiful: they were severe and fond of maxims, on a basis of universal tolerance; they governed themselves rationally, with a careful freedom, while well aware [Pg 142] that nature and their own bosoms were full of gods, all of whom must be reverenced. After all, this defect in appreciation is inseparable from the transcendental pose. The ancients, like everything else, never seem to the egotist a reality co-ordinate with himself, from which he might still have something to learn. They are only so much "content" for his self-consciousness, so much matter for his thought to transcend. They can contain nothing for him but the part of his outgrown self which he deigns to identify with them. His mind must always envelop them and be the larger thing. No wonder that in this school learning is wasted for the purposes of moral education. Whoever has seen the learned egotist flies at his approach. History in his hands is a demonstration of his philosophy. Science is a quarry of proofs for his hobbies. If we do not agree with him we are not merely mistaken (every philosopher tells us that), but we are false to ourselves and ignorant of our ideal significance. His ego gives us our place in the world. He informs us of what we mean, whatever we may say; and he raises our opinions, as he might his food, to a higher unity in his own person. He is priest in every temple. He approaches a picture-gallery or a foreign religion in a dictatorial spirit, with his _a priori_ categories ready on his lips; pedantry and vanity speak in his [Pg 143] every gesture, and the lesson of nothing can reach his heart.