But to-day the foreigners are masters here, and have wakened the
old Nile--wakened to enslave it. In less than twenty years they have
disfigured its valley, which until then had preserved itself like a
sanctuary. They have silenced its cataracts, captured its precious water
by dams, to pour it afar off on plains that are become like marshes and
already sully with their mists the crystal clearness of the sky. The
ancient rigging no longer suffices to water the land under cultivation.
Machines worked by steam, which draw the water more quickly, commence to
rise along the banks, side by side with new factories. Soon there will
scarcely be a river more dishonoured than this, by iron chimneys and
thick, black smoke. And it is happening apace, this exploitation of
the Nile--hastily, greedily, as in a hunt for spoils. And thus all its
beauty disappears, for its monotonous course, through regions endless
alike, won us only by its calm and its old-world mystery.
Poor Nile of the prodigies! One feels sometimes still its departing
charm, stray corners of it remain intact. There are days of transcendent
clearness, incomparable evenings, when one may still forget the ugliness
and the smoke. But the classic expedition by dahabiya, the ascent of the
river from Cairo to Nubia, will soon have ceased to be worth making.
Ordinarily this voyage is made in the winter, so that the traveller may
follow the course of the sun as it makes its escape towards the southern
hemisphere. The water then is low and the valley parched. Leaving the
cosmopolitan town of modern Cairo, the iron bridges, and the pretentious
hotels, with their flaunting inscriptions, it imparts a sense of sudden
peacefulness to pass along the large and rapid waters of this river,
between the curtains of palm-trees on the banks, borne by a dahabiya
where one is master and, if one likes, may be alone.
At first, for a day or two, the great haunting triangles of the pyramids
seem to follow you, those of Dashur and that of Sakkarah succeeding
to those of Gizeh. For a long time the horizon is disturbed by their
gigantic silhouettes. As we recede from them, and they disengage
themselves better from neighbouring things, they seem, as happens in
the case of mountains, to grow higher. And when they have finally
disappeared, we have still to ascend slowly and by stages some six
hundred miles of river before we reach the first cataract. Our way lies
through monotonous desert regions where the hours and days are marked
chiefly by the variations of the wonderful light. Except for the
phantasmagoria of the mornings and evenings, there is no outstanding
feature on these dull-coloured banks, where may be seen, with never
a change at all, the humble pastoral life of the fellahs. The sun is
burning, the starlit nights clear and cold. A withering wind, which
blows almost without ceasing from the north, makes you shiver as soon as
the twilight falls.
Public-domain text, read in full here on John Shaqi.
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