She was, above all, the divinity of the dead. The buildings scattered
about that corner of the necropolis were not exclusively consecrated
to the gods of the living; they were the chapels attached to royal
tombs, some of which, like that of Montouhotpou, were contiguous to the
tomb, while others, like that of Queen Hachopsouîtou, for example, were
relegated to the other side of the mountain, in the Bibân-el-Molouk.
The sovereigns were sometimes praying and bringing offerings to
the gods, sometimes associated with them and taking part in their
sacrifices. Hathor, ruler of the West and lady of the heaven, had
become by a concourse of ideas, the reasons of which can be understood,
the mistress of souls and _doubles_: she played thus a part of great
importance in places where the worship of her vassals was celebrated.
Walk through the halls of the large terraced temple and you will find
her repeatedly with the figure and posture assumed by her in the
oratory discovered by Naville: she is the foster-mother whose milk
Thoutmôsis and Hachopsouîtou are greedily imbibing. The suckling of the
sovereign was not a mere metaphor of language, realized and transcribed
on stone, but a material act borrowed from the customs of Egyptian law,
and the final formality of the ceremonies of the adoption. The woman
who had no son to perpetuate her memory, and desired to have one, after
reading the preliminary passages, had to offer one of her breasts,
in all probability the right, to the youth or man she had chosen; he
would press the teat between his lips for a few seconds, and by this
pretence of feeding would become to her as a son. Among half civilized
peoples where this custom prevails, it is not required that the woman
has been or is still married: only, the young girl who acquires a child
by this method covers her breast with a thin stuff before going through
the ceremony. If, then, Thoutmôsis III, or by usurpation Amenôthes II,
was represented kneeling under the right teat of the Hathor, he wished
thereby to prove that she was his divine mother, and the complacent
manner in which she yields him her milk sufficiently shows that she
admitted the legitimacy of his claim.
[Illustration: AN UNKNOWN FIGURE AND THE COW HATHOR.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account