English literature -- 18th century -- History and criticism; Great Britain -- Intellectual life -- 18th century
that endless stream of admirably told stories, of recollections graphic
and humorous, of sallies and _bons mots_, of which Horace Walpole's
extraordinary correspondence is the _cooled_ expression, but of the
vivacity and variety of which, enhanced as they were by the changes
in the speaker's voice and look, and emphasized by his semi-French
gesticulation, it is impossible to give any adequate idea. A glance
across the river would suggest an anecdote of her Grace the Duchess
of Queensberry: a falling spoon, a _mot_ by Lady Townshend. Upon
yesterday's execution at Tyburn would follow a vivid picture of the
deaths of Balmerino and Kilmarnock; or a reference to your ride from
London of the night before, would usher in a full and particular account
how the voluble and fascinating gentleman before you, with the great
chalk stones in his fingers, was once all but shot through the head by
the highwayman James Maclean.
Breakfast over, and a liberal bowl of bread-and-milk tossed out of window
to the troops of squirrels that come flocking in from the high trees
round the lawn, your host would invite you to make the tour of the
grounds, adding (if it were May) that his favourite lilacs were well
worth the effort. He would astonish you by going out in his slippers and
without a hat; and, in reply to your ill-concealed astonishment, would
laughingly compare himself to the Indian in the 'Spectator' who said
he was 'all face.' Passing by the Abbot's garden, with its bright
parterres, he would lead you to the pretty cottage he had built on the
site of the old residence of his deceased tenant Richard Francklin, once
printer of that scurrilous 'Craftsman' in which Pulteney and Bolingbroke
had so persistently assailed his father. In its sunny, print-hung
tea-room, with the 'Little Library' at the side, he would show you the
picture of his friend Lady Hervey, once the 'beautiful Molly Lepel' of
Pulteney and Chesterfield's ballad, and would tell you that the frame
was carved by the same Grinling Gibbons to whom we owe the bronze statue
of King James the Second in the Privy Garden at Whitehall. Thence you
would pass to the chapel in the wood, with its stained-glass pictures of
Henry the Third and his Queen from Bexhill Church, and its shrine from
Santa Maria Maggiore at Rome; and he would explain that the roof was
designed by that unimpeachable authority in Gothic, Mr. Chute of the
Vyne, in Hampshire; that George Augustus Selwyn had given him the great
earthen pot at the door; and that the carved bench in the ante-chapel
had been contrived by no less a person than the son of the famous
'Ricardus Aristarchus,' Master of Trinity, the--=
```'mighty Scholiast, whose unwearied pains
``Made Horace dull, and humbled Milton's strains--'=
Public-domain text, read in full here on John Shaqi.
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