English literature -- 18th century -- History and criticism; Great Britain -- Intellectual life -- 18th century
|AN auctioneer's catalogue--and particularly an auctioneer's catalogue
more than a hundred years old--is not, at first sight, the most
suggestive of subjects. And yet that issued in July, 1774, by Mr. Good,
of 121 Fleet Street, still possesses considerable interest. For it
is nothing less than an account, bald, indeed, and only moderately
literary, of the 'Household [sic] Furniture, with the Select Collection
of Scarce, Curious and Valuable Books, in English, Latin, Greek,
French, Italian and other Languages, late the Library of Dr. Goldsmith,
Deceased.' As one runs over the items, one seems to realize the
circumstances. One seems almost to see Mr. Good's unemotional
assistants, with their pens behind their ears, and their ink-bottles
'upon the excise principle' dangling from their button-holes, as they
peer about the dingy Chambers at Brick Court, with the dark little
closet of a bedroom at the back where the poor Doctor lay and died.
We can imagine them sniffing superciliously at the chief pictorial
adornment, 'The Tragic Muse, in a gold frame;' or drawing from its
sheath, with an air of 'prentice connoisseurship, 'the steel-hilted
sword, inlaid with gold,' or 'the black-hilted _ditto_,' not without
speculations as to how those weapons would adorn their own ungainly
persons in a holiday jaunt to White Conduit House or Marybone Gardens.
We see them professionally prodding the faded mahogany sofa 'covered
with blue morine' which had so often vibrated under the nervous
twitchings of Johnson; appraising the 'compass card-tables' over which
Boswell had dealt trumps to Reynolds; or critically weighing the teapot
in which the 'Jessamy Bride' had more than once made tea. Their sordid
commercial figures must have crossed and re-crossed before 'the very
large dressing-glass' with 'mahogany frame,' which only a few weeks
past had reflected the 'blue velvet,' and the 'straw-coloured' and
'silver-grey tamboured waistcoats' for which honest Mr. William Filby,
at the sign of the Harrow in Water Lane, was never now to see the money.
No doubt, too, they desecrated, with their Fleet Street mud, that famous
Wilton carpet which had looked so sumptuous when it was first laid down
but half-a-dozen years ago; and, if they were at all like their brethren
of these days, they must have pished generally over the rest of those
modest properties which, in the golden epoch when the 'Good Natur'd
Man' seemed to promise perpetual prosperity, had excited so much awe and
admiration among Goldsmith's humbler friends. 'Not much to tot up here,
Docket!'--says Mr. Good's young man to his fellow. And we may fancy
Mr. Docket assenting with a contemptuous extension of his under lip,
enforced by the supplementary proposition that they should at once
moisten their unpromising labours by adjourning to a pot of 'Parsons'
Black Champagne' at the Tavern by the Temple Gates.
Public-domain text, read in full here on John Shaqi.
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