Great Britain -- Social life and customs -- 18th century
When the child doth cry,
I must sing, By-a-by,
In the land of Virginny, O;
No rest that I can have
Whilst I am here a slave,
When that I was weary, O.
A thousand Woes beside,
That I do here abide,
In the land of Virginny, O;
In misery I spend
My time that hath no end,
When that I was weary, O.
Then let Maids beware,
All by my ill-fare,
In the land of Virginny, O:
Be sure thou stay at home,
For if you do here come,
You will all be weary, O.
But if it be my chance,
Homeward to advance,
From the land of Virginny, O:
If that I once more
Land on English shore,
I’ll no more be weary, O.
Some of these complaints would seem to us to be rather of the ‘crumpled
rose-leaf’ order, but probably there was enough humanity left in their
owners to treat their female ‘servants’ more tenderly than the male,
whose sorrows were genuine enough.
Ned Ward, in his ‘London Spy,’ 1703, gives a most graphic account of
the sort of men who enticed these human chattels to the plantations. He
was pursuing his perambulations about the City, exercising those sharp
eyes of his, which saw everything, and was in the neighbourhood of the
Custom-house, when he turned down a place called Pig Hill (so called,
he says, from its resembling the steep descent down which the Devil
drove his Hogs to a Bad Market).
‘As we walked up the Hill, as Lazily as an Artillery Captain before
his Company upon a Lord Mayor’s Day, or a Paul’s Labourer up a Ladder,
with a Hod of Mortar, we peeped in at a Gateway, where we saw two or
three Blades, well drest, but with Hawkes’ Countenances, attended with
half-a-dozen Ragamuffingly Fellows, showing Poverty in their Rags and
Despair in their Faces, mixt with a parcel of young, wild striplings,
like runaway ‘Prentices. I could not forbear enquiring of my Friend
about the ill-favoured multitude, patched up of such awkward Figures,
that it would have puzzled a Moor-Fields Artist,[28] well-read in
physiognomy, to have discovered their Dispositions by their Looks.
Public-domain text, read in full here on John Shaqi.
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