In the correcting systems already described the sub-clocks are
complete in themselves, so that they work quite independently, except
at the instant of correction. For hotels, schools, and other large
buildings requiring clocks at a number of different points, a simpler
arrangement is adopted. Only one complete clock is used, this being
the master-clock, which may be wound either electrically or by key.
The sub-clocks are dummies, having only a dial with its hands, and an
electro-magnetic arrangement behind the dial for moving the hands. The
sub-clocks are electrically connected with the master-clock, and the
mechanism of this clock is arranged to close the circuit automatically
every half-minute. Each time this occurs the magnet of each sub-clock
moves forward the hands half a minute, and in this way the dummy clocks
are made to travel on together by half-minute steps, exactly in unison
with the master-clock.
CHAPTER XVI
THE TELEGRAPH
We come now to one of the most important inventions of the nineteenth
century, the electric telegraph. From very early times men have felt
the necessity for some means of rapidly communicating between two
distant points. The first really practical method of signalling was
that of lighting beacon fires on the tops of hills, to spread some
important tidings, such as the approach of an enemy. From this simple
beginning arose more complicated systems of signalling by semaphore,
flags, or flashing lights. All these methods proved incapable of
dealing with the rapidly growing requirements of commerce, for they
were far too slow in action, and in foggy weather they were of no
use at all. We are so accustomed to walking into a telegraph office,
filling up a form, and paying our sixpence or more, that it is very
difficult for us to realize the immense importance of the electric
telegraph; and probably the best way of doing this is to try to imagine
the state of things which would result if the world’s telegraphic
instruments were put out of action for a week or two.
Public-domain text, read in full here on John Shaqi.
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