Ellice Quentin, and other storiesHawthorne, Julian
General
Ellice Quentin, and other stories
Hawthorne, Julian
American fiction -- 19th century; Short stories, American
But why did I not declare the state of affairs at once to the Count and
Countess, and thus settle a question of such vital moment to me? In the
first place, I could plead the lover's excuse--the desire to keep the
secret of his heart for a time veiled, even from her he loved. But,
besides this, I felt uncertain how the avowal would be received, not
by Almara herself--I was sure of her--but by her parents. A marriage
between even an eminent artist and a woman of noble birth is not an
everyday occurrence; and I felt the prudence of sounding the views of
the Count and Countess on this subject before putting my fate to the
touch. In case of refusal, indeed, I should not hesitate to take Almara
in spite of them, feeling as I did that our love would be compensation
for all losses; and it may be that I contemplated the possibility of a
hostile turn of the die with something like a pleasurable thrill. A man
likes to prove his power in the teeth of obstacles; and, as I looked
at Almara's proud and passionate beauty, I thought how grand would be
the response to the summons of her heart. It would be almost a pity to
forego that spectacle.
Another source of my hesitation had to do with the mystery which still
continued to invest my beautiful sitter--that mystery which seemed
concentrated in her ruby. What it might be I knew not; Almara quietly
but resolutely foiled all my attempts to lead the conversation up to
the subject. Of course I was not able, situated as we were, to make
any serious attack upon her reserve; but it was evident that her secret
would probably remain a secret until all concealments were finally
at an end between us. All that troubled me in the matter was a fear
lest it should turn out to be a hindrance to our union; but, as time
went on, this apprehension faded from my mind. Almara was gradually
losing those traces of depression and anxiety which she had betrayed
in our first interviews. The sunnier side of her character came out;
she chatted with gaiety and abandon; the shadow of pain and revolt
was passing away. She still turned and twisted the heavy ring upon
her finger, but now rather caressingly than impatiently. And once, I
remember, as she and I and the rest, including Jeff, were sitting after
sundown round a table outside the casino, laughing, gossiping, admiring
the afterglow along the western horizon, and sipping iced coffee out of
tall glasses, on this evening of the last day but one of the sittings
I saw her lift her hand to her lips with one of those unexpected
movements of hers and bestow a quick kiss upon the ruby. No one seemed
to notice this strange gesture, which indeed was so managed as to have
escaped any eye less keen than a lover's. What was the meaning of it?
Almara's glance met mine; for a moment she seemed disconcerted, but the
next moment laughed and said saucily--
'Monsieur Campbell, do you know a cure for burnt fingers?'
Public-domain text, read in full here on John Shaqi.
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