The second, her taking the veil at the Monastery of
Coldingham at the hands of Wilfred, bishop of York; her
crown laid upon the altar.
The third, her pilgrim's staff taking root and bearing
leaves and branches over her whilst she slept by the way.
The fourth, her preservation, with her attendant nuns, on a
rock surrounded by a miraculous inundation, when pursued by
the king and his attendants.
The fifth, her installation as abbess of Ely, by Wilfred.
The sixth, her death and burial.
The seventh, a legendary tale of one Brithstan delivered
from bonds by her merits.
The eighth, the translation of her body.
These were probably placed there to break the apparent great
preponderance of vertical lines. The vaulting is of wood, and its
fan-shaped compartments terminate at a distance from the centre, thus
allowing an aperture thirty feet wide, over which rises the Lantern,
an exact octagon, having on each of its sides a large pointed window
of four openings with rich tracery, all filled with stained glass,
which has the effect of subduing the light; below these windows are a
series of panels with decorated heads, and under them another series
of smaller ones; above the ceiling is a chamber formerly used for
bells. The Lantern also is of English oak, and its construction a
curious piece of carpentry. The whole has been thoroughly repaired,
and in a great measure restored in exact conformity with the original,
at a considerable expense.[37]
[Footnote 37: This great work is designed as a memorial of Dean
Peacock, and a more fitting one could scarcely be found, as it is one
of the great works he had in contemplation. "The Dean and Chapter felt
that they could not propose any record of the zealous exertions of the
late Dean, so appropriate as the restoration of the central portion of
the Cathedral Church; which, after the great improvements executed
under his superintendence in the eastern and western portions of the
fabric, would form as it were a keystone of the whole work."
Subscriptions amounting to about L10,000, were given by many noblemen
as well as other friends of Dean Peacock; the capitular body
contributing very largely towards the work.]
Public-domain text, read in full here on John Shaqi.
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