The architecture of the three first bays is greatly to be admired as a
specimen of the Decorated style, perhaps not surpassed by any other in
the kingdom; they were erected about the same time as the Octagon, and
most probably under the superintendence of the same skilful architect,
and for which purpose Bishop Hotham left a sum of money at his death;
they were built during the episcopate of his successors, Bishops
Montacute (1337-1345), and L'Isle (1345-1361). The lower columns are
nearly, the capitals entirely, of the same form with those of the
Octagon, but the arches are more ornamented, some of them having
bosses of foliage attached to their mouldings; and those of the
triforium are, as Mr. Bentham observes, "embellished with tracery work
of such elegance and delicacy as seems scarcely consistent with
strength." Between each of the lower arches is a corbel or elongated
bracket profusely adorned with foliage carved in high relief, richly
coloured and gilded; from this rises a column between the upper
arches, and from the top of this column spring the ribs of the
vaulting, which spread in lavish ramifications over it, dividing it
into angular compartments, and at the angles are flowers and other
ornaments, curiously carved, and originally were coloured. In the
spandrils of the lower and triforium arches (with the exception of the
first bay on the south side, which contains the arms of the see, those
of Bishop Hotham, and another shield), are sunk trefoils, some of
which are painted dark blue relieved with small stars in gold, having
an elegant appearance. The range of pierced parapet at the bases of
the triforium and clerestory has been entirely renewed; and on the
south side, the triforium roof (which on both sides is of bare
rafters,) has been recently painted and ornamented in a style similar
to those of the Transept. The windows in the clerestory are large,
filling the whole opening, having in each four lights with rich
tracery, and the same kind of trellis-work we noticed in the large
windows in the Octagon; these windows, on both sides have been
recently filled with stained glass, executed by Mr. Wailes, the
expense defrayed out of the balance of the accumulated fund for the
east window; the subjects are illustrative of two verses of the "Te
Deum," with figures of angels and the arms of the donor, &c., in the
tracery:
NORTH SIDE--"_The noble army of Martyrs_"--represented in
the western window by figures of St. George, St. Agnes, St.
Catharine, and St. Alban; middle window--St. Lawrence, St.
Cecilia, St. Justin, and St. Prisca; eastern window--St.
Ignatius, St. Polycarp, St. Lucian, and St. Stephen.
Public-domain text, read in full here on John Shaqi.
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