Geoffrey Dawling had on his return to England written me two or three letters: his last information had been that he was going into the figures of rural illiteracy. I was delighted to receive it and had no doubt that if he should go into figures they would, as they are said to be able to prove anything, prove at least that my advice was sound and that he had wasted time enough. This quickened on my part another hope, a hope suggested by some roundabout rumour--I forget how it reached me--that he was engaged to a girl down in Hampshire. He turned out not to be, but I felt sure that if only he went into figures deep enough he would become, among the girls down in Hampshire or elsewhere, one of those numerous prizes of battle whose defences are practically not on the scale of their provocations. I nursed in short the thought that it was probably open to him to become one of the types as to which, as the years go on, frivolous and superficial spectators lose themselves in the wonder that they ever succeeded in winning even the least winsome mates. He never alluded to Flora Saunt; and there was in his silence about her, quite as in Mrs. Meldrum’s, an element of instinctive tact, a brief implication that if you didn’t happen to have been in love with her she was not an inevitable topic. Within a week after my return to London I went to the opera, of which I had always been much of a devotee. I arrived too late for the first act of “Lohengrin,” but the second was just beginning, and I gave myself up to it with no more than a glance at the house. When it was over I treated myself, with my glass, from my place in the stalls, to a general survey of the boxes, making doubtless on their contents the reflections, pointed by comparison, that are most familiar to the wanderer restored to London. There was a certain proportion of pretty women, but I suddenly became aware that one of these was far prettier than the others. This lady, alone in one of the smaller receptacles of the grand tier and already the aim of fifty tentative glasses, which she sustained with admirable serenity--this single exquisite figure, placed in the quarter furthest removed from my stall, was a person, I immediately felt, to cause one’s curiosity to linger. Dressed in white, with diamonds in her hair and pearls on her neck, she had a pale radiance of beauty which even at that distance made her a distinguished presence and, with the air that easily attaches to lonely loveliness in public places, an agreeable mystery. A mystery however she remained to me only for a minute after I had levelled my glass at her: I feel to this moment the startled thrill, the shock almost of joy with which I suddenly encountered in her vague brightness a rich revival of Flora Saunt. I say a revival because, to put it crudely, I had on that last occasion left poor Flora for dead. At present perfectly alive again, she was altered only, as it were, by resurrection. A little older, a little quieter,