Eminent Authors of the Nineteenth Century: Literary PortraitsBrandes, Georg
History
Eminent Authors of the Nineteenth Century: Literary Portraits
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism
But no matter, let us read further in the book.
"Sir Count, said Patronio, there once came three rogues to a king
and stated that they were most superior masters in the manufacture
of cloth, and that they especially understood how to weave a certain
stuff which was visible to everyone who was actually the son of the
father whom all the world supposed to be his, but which was invisible
to him who was not the son of his supposed father. This pleased the
king greatly, for he thought that with the aid of this fabric he could
learn which men in his kingdom were the sons of those who were legally
accredited to be their fathers, and which were not, and that in this
way he could adjust many things in his kingdom; for the Moors do not
inherit from their fathers if they be not truly their children. So he
gave orders to have the men conducted to his palace in which they could
work."
The beginning is delightful, there is humor in the story; but Andersen
thinks that if it is to be rendered available for Denmark, another
pretext must be chosen, one better adapted to children, and to the
well-known northern innocence. And, besides, this king in the story is
merely like a figure on the chess-board. Why was it that the rogues
came to him? What sort of character does he possess? Is he fond of
show? Is he vain? He does not stand out distinctly before the reader's
eye. It would be better if he were an absolute fool of a king. He ought
in some way to be characterized, to be stamped by a word, a phrase.
"And they told him that, in order to be sure they were not deceiving
him, he might lock them up in the palace until the fabric was finished,
and this pleased the king vastly!" They now receive gifts of gold,
silver, and silk, spread abroad the tidings that the weaving has begun,
and through their bold indication of pattern and colors cause the
king's messengers to declare the fabric admirable, and thus succeed in
obtaining a visit from the king, who, as he sees nothing, "is overcome
by a deathly terror, for he believes that he cannot be the son of the
king whom he has considered his father." He therefore praises the
fabric beyond measure, and every one follows his example, until one
day on the occasion of a great festival he puts on the invisible
garment; he rides through the city, "and it was well for him that it
was summer." No one could see the fabric, although every one feared
to confess his inability to do so, lest he should be ruined and
dishonored. "Thus this secret was preserved, and no one dared reveal
it, until a negro who tended the king's horse, and had nothing to lose,
went to the king" and affirmed the truth.
"Who bids you keep a secret from a faithful friend,
Will cheat you too as surely as he has a chance."
Public-domain text, read in full here on John Shaqi.
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