Eminent doctors: Their lives and their work; Vol. 2 of 2Bettany, G. T. (George Thomas)
History
Eminent doctors: Their lives and their work; Vol. 2 of 2
Bettany, G. T. (George Thomas)
Medicine -- Great Britain -- History; Physicians -- Great Britain
In 1839 he became surgeon to the
Royal Infirmary, and Fellow of the Royal Society of Edinburgh, and
already shared the highest surgical practice with Syme. In fact there
was hardly room for two such men in Edinburgh. Liston had betaken
himself to London. In 1840 Fergusson followed his example, accepting
an invitation to King’s College, which was now establishing its
hospital. At a farewell presentation, Lizars said that he had seen no
one, not even Liston himself, surpass Fergusson in the most trying
and critical operations. The man of whom this could be said at the
age of thirty-two had every chance of success in London, even though
he came thither with scarcely any personal friends to back him.
Professor Partridge, his old friend, gave him a cordial introduction,
and he established himself in Dover Street, Piccadilly, only to find
that his first year’s private practice did not exceed £100. Yet
it cannot be denied that Fergusson came to London at a fortunate
period. Within a few years death or retirement withdrew from practice
many of the most capable operators, such as Liston, Aston Key, and
Astley Cooper. Thus his success was really rapid, for his third year
brought him £1000, and in 1847 he removed to a large house in George
Street, Hanover Square. His style of operating soon attracted general
attention both among students and practitioners, and King’s College
operating theatre became the resort of all the medical students and
practitioners who could cram into it.
As an operator Fergusson was most peculiarly skilled, and he appears
to have had a natural manipulative dexterity, which he assiduously
cultivated. Like Sir Charles Bell and other eminent surgeons, he was
a splendid fly-fisher; and his manipulation served him in good stead
in acquiring skill on that most difficult of instruments, the violin.
Carpentering and metal-working came easily to him, and gave him
great readiness in improvising splints or other apparatus desirable
for his patients’ special circumstances. Yet having such power and
dexterity, he did not choose to display it on all possible occasions,
but rather was conspicuous for his frequent abstinence from operative
interference, counting it a greater glory to save a limb than to
cut one off, and taking endless trouble to preserve a portion when
amputation would have been much easier.
Public-domain text, read in full here on John Shaqi.
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