Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)Shelley, Mary Wollstonecraft
History
Eminent literary and scientific men of Italy, Spain, and Portugal. Vol. 3 (of 3)
Shelley, Mary Wollstonecraft
Authors -- Biography; Scientists -- Biography
superior in versification to the Tesoro, that it is doubted whether they
can be the production of the same man and age. The most useful work that
owed its existence to his superintendence was the Alphonsine Tables,
containing calculations truly extraordinary for that period.
Alphonso XI. followed in his footsteps in the cultivation of the
Castillian language. He is said to have composed a General Chronicle of
Redondillas, which is lost.
It was in the time of Alphonso XI. that Don Juan Manuel wrote his Count
Lucanor, a series of tales put together somewhat in the style of the
"Seven Wise Masters." An inexperienced prince, when in any difficulty,
applies to his minister for advice, who replies by relating some tale or
fable, concluded by a maxim in verse, as the moral of the story. These
show his knowledge of the world; and one, in opposition to that of the
Grecian sage, who said, men were to treat their friends as if they were
one day to become their enemies, deserves to be recorded in honour of
the more noble-minded Castilian;
"Quien te conseja encobrir de tus amigos,
engañarte quiera assaz, y sin testigos."
"Whoever counsels you to be reserved with your friends, wishes to betray
you without witnesses." Count Lucanor is praised for the artless
simplicity of its style, joined to acuteness of observation. In
addition, Manuel composed a Chronicle of Spain, and other prose works,
as well as several poems.
The civil wars and rebellions that desolated Spain at this time checked
the literary spirit, and prevented the cultivation of learning. Juan
Ruiz, arch-priest of Hita, and Ayala, the historiographer, are almost
the only names we find in addition to those already mentioned. Juan Ruiz
wrote an allegorical satire in Castillian Alexandrines.
Public-domain text, read in full here on John Shaqi.
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