England -- Social life and customs -- 19th century -- Fiction
The Rodney family, accompanied by Mr. Waldershare and Endymion, went to
the Cedars by water. It was a delightful afternoon of June, the river
warm and still, and the soft, fitful western breeze occasionally rich
with the perfume of the gardens of Putney and Chiswick. Waldershare
talked the whole way. It was a rhapsody of fancy, fun, knowledge,
anecdote, brilliant badinage--even passionate seriousness. Sometimes
he recited poetry, and his voice was musical; and, then, when he had
attuned his companions to a sentimental pitch, he would break into
mockery, and touch with delicate satire every mood of human feeling.
Endymion listened to him in silence and admiration. He had never heard
Waldershare talk before, and he had never heard anybody like him. All
this time, what was now, and ever, remarkable in Waldershare were his
manners. They were finished, even to courtliness. Affable and winning,
he was never familiar. He always addressed Sylvia as if she were one of
those duchesses round whom he used to linger. He would bow deferentially
to her remarks, and elicit from some of her casual observations an acute
or graceful meaning, of which she herself was by no means conscious. The
bow of Waldershare was a study. Its grace and ceremony must have been
organic; for there was no traditionary type in existence from which he
could have derived or inherited it. He certainly addressed Imogene and
spoke to her by her Christian name; but this was partly because he was
in love with the name, and partly because he would persist in still
treating her as a child. But his manner to her always was that of tender
respect. She was almost as silent as Endymion during their voyage, but
not less attentive to her friend. Mr. Rodney was generally silent, and
never opened his mouth on this occasion except in answer to an inquiry
from his wife as to whom a villa might belong, and it seemed always that
he knew every villa, and every one to whom they belonged.
Public-domain text, read in full here on John Shaqi.
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