Rowlandson gives us (September 20, 1808) ‘Napoleon the little in a Rage with his great French Eagle!!’ Napoleon, with his sword drawn, and his hands clenched, is in a terrible rage with his brother Joseph, who, under the guise of a crowned eagle, is limping along with one leg in a sling. Napoleon thus addresses him: ‘Confusion and Destruction--what is this I see? Did I not command you not to return till you had spread your Wing of Victory over the whole Spanish Nation?’ And the poor bird meekly replies: ‘Aye, its fine talking Nap, but if you had been there, you would not much have liked it--The Spanish Cormorants pursued me in such a manner, that they not only disabled one of my legs, but set me a moulting in such a terrible way that I wonder I had not lost every feather; besides, it got so hot, I could not bear it any longer.’ There is a caricature (September 24, 1808) of ‘A hard passage, or Boney playing Base on the Continent.’ He is here represented as playing on the bass viol from the score of the ‘Conquest of Spain and Portugal.’ His task seems hard, and he exclaims: ‘Plague take it! I never met with so difficult a _passage_ before. But, if I can once get over the _Flats_, we shall do pretty well, for you see the _Key_ will then change into _B_ sharp.’ A muzzled Russian bear is trying to play on the French horn, and says: ‘Why that is _Natural_ enough, brother Boney, though this _French horn_ of yours seems rather out of order.’ CHAPTER XLVI. PENINSULAR WAR, _continued_--MEETING AT ERFURT. [Illustration] ‘The Valley of the Shadow of Death’ is, as far as I know, the last caricature of Gillray (September 24, 1808) in connection with Napoleon--if, indeed, it can be called a caricature, for it is far too serious in its conception. Napoleon’s situation at the moment is here firmly grasped. He is surrounded by enemies. With notched sword in hand, he leads the Russian bear. He is pursued by the German eagle and the spirit of Charles XII. Above is the ‘Turkish New Moon Rising in blood,’ the obscured portion of which is represented by ‘French Influence,’ the bright crescent as ‘English Influence,’ and the whole is dropping blood. A fiery comet, with a tiara as a nucleus (the Pope), is darting thunderbolts of excommunication upon him; whilst Junot and Dupont, shackled together at their necks, amidst clouds, seem to warn him of his fate. Immediately in front of him is a _Portuguese wolf_, which has broken its chain, a _Sicilian terrier_, and the _Leo Britannicus_. Death also appears, lance in one hand, hour-glass in the other, on a mule of ‘True Royal Spanish breed.’ In the Ditch of Styx is disappearing ‘Rex Joseph,’ whose hands and crown alone appear above water. Creeping upwards from the slime of the _Lethean Ditch_, is ‘The Rhenish Confederation of starved Rats, crawling out of the Mud,’ also ‘Dutch Frogs spitting out their spite’; whilst the ‘American Rattle Snake is shaking his tail,’ and the ‘Prussian scarecrow is attempting to fly.’