English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.Everitt, Graham
History
English Caricaturists and Graphic Humourists of the Nineteenth Century.: How they Illustrated and Interpreted their Times.
Everitt, Graham
Caricature -- Great Britain; Illustration of books -- Great Britain -- 19th century
Gas, which now promises to be superseded in its turn by electricity, was
introduced into Boulton & Watts' foundry, at Birmingham, as early as the
year 1798, and the Lyceum Theatre was lit with gas (by way of
experiment) in 1803; it met however with much opposition from persons
interested in the conservation of the oil trade, and made no real
progress in London until 1807, when it was introduced into Golden Lane
on the 16th of August. Pall Mall, however, was not lighted with gas
until 1809, and it was really not finally and generally introduced into
London until the year 1820. We meet with an excellent satire published
by S. W. Fores, in 1807, wherein a harlequin is depicted sitting on a
rope suspended between a couple of lamp posts. The lamps and the hat of
the figure are garnished with lighted burners; the neighbours in the
windows of the adjoining houses, the people on the pavement below, the
fowls, the dogs, the cats on the roofs, are suffocated with the noxious
vapour. The figure holds in his hand a paper, whereon we read, "This is
the speculation to make money, L10,000 per cent. profit all in
_Air_-light air. 'Tis there, 'tis here, and 'tis gone for ever." This
caricature bears the title of _The Good Effects of Carbonic Gas_. A
caricature of Woodward, engraved by Rowlandson, and published by
Ackermann on the 23rd of December, 1809, gives us _A Peep at the Gas
Lights in Pall Mall_, the interest of which chiefly centres in the
eccentric form of the early street lamps. Among the groups looking on
are a wondering "country cousin" and a "serious" companion. "Ay,
friend," says the latter, anxious of course, in season and out of
season, to turn the occasion to profitable account, "verily it is all
vanity! What is _this_ to the _inward light_?" Some more disreputable
members of the community are expressing their fears that the new light
will interfere with their own peculiar modes of livelihood.
A clever and somewhat remarkable woman succeeded in achieving an
unenviable notoriety in 1809. The daughter of a printer residing in Bowl
and Pin Alley, near White's Alley, Chancery Lane, the remarkably
intelligent girl had early attracted the notice of friends, one of whom
placed her at a boarding school, where she picked up an education (such
as it was) sufficient to sharpen her natural abilities. Her commencement
in life was scarcely a hopeful one. Mary Anne Thompson eloped at
seventeen years of age with one Joseph Clarke, the son of a builder on
Snow Hill, and after living with him three years married him. The
marriage was not a happy one. The pair after some years separated, and
Mary Anne was thenceforth driven to trust for her support to her own
resources and attractions.
MARY ANNE CLARKE.
Public-domain text, read in full here on John Shaqi.
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