English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
The Ouse, most meandering of English streams, waters a country almost
perfectly level throughout, though here and there fringed by the
undulations of the receding Chilterns;--with a picturesqueness derived
from rich meadows, broad pastures with flowery hedgerows, and tall
stately trees; while in many places the still river expands into a
miniature lake, with water lilies floating upon its bosom. Among scenes
like these the great dreamer passed his youth, in his village home at
Elstow; often visiting the neighbouring town of Bedford, where we may
picture him as leaning in many a musing fit over the old Ouse Bridge, on
which the town prison then stood. How little, did John Bunyan then think
what those prison walls would become to him and to the world! The bridge
is gone, the town has become a thriving modern bustling place; only the
river remains, and the country walk to Elstow is little changed. There
is the cottage which tradition identifies with Bunyan: with the church
and the belfry, so memorable in the record of his experiences, the
village green on which in his thoughtless youth he used to play at
"tip-cat:" there is nothing more to see, but it is impossible to pace
through those homely ways without remembering how once the place was
luminous to his awe-stricken spirit with "the light that never was on
sea or shore," and the landscape on which his inward eye was fixed was
that which was closed in by the great white throne.
[Illustration: 9100]
It is remarkable that there is in Bunyan's writings so little of
local colouring. His fields, hills and valleys are not of earth. The
"wilderness of this world" through which he wandered was something quite
apart from the Bedfordshire flats, although indeed "the den" on which
he lighted is but too truthful a representation of the prison on the old
Ouse Bridge. Even where familiar scenes may have supplied the groundwork
of the picture, incidental touches show that his soul was beyond
them. His hillsides are covered with "vineyards;" the meadows by the
riverside are fair with "lilies;" the fruits in the orchard have mystic
healing virtue. The scenery of Palestine rather than of Bedfordshire is
present to his view, and his well-loved Bible has contributed as much
to his descriptions as any reminiscences of his excursions around his
native place. *
Public-domain text, read in full here on John Shaqi.
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