English Pictures Drawn with Pen and PencilManning, Samuel
History
English Pictures Drawn with Pen and Pencil
Manning, Samuel
England -- Description and travel
On the death of his father, when the poet had reached the age of
twenty-five, he touchingly and expressively tells us that it had never
till then occurred to him "that a parson has no fee-simple in the house
and glebe he occupies. There was," he says, "neither tree, nor gate, nor
stile in all that country to which I did not feel a relation, and the
house itself I preferred to a palace." To Huntingdon, where he first
made acquaintance with the Ouse, and became an inmate with the Unwins,
he clung very lovingly, although he does not rate the charms of the
neighbourhood very highly. "My lot is cast in a country where we have
neither woods nor commons nor pleasant prospects: all flat and insipid;
in the summer adorned only winter covered with a flood." But it was at
Olney that Cowper found such scenery as he could appreciate and love.
"He does not," in the words of Sir James Mackintosh, "describe the
most beautiful scenes in nature; he discovers what is most beautiful in
ordinary scenes."
[Illustration: 8106]
In fact, Cowper saw very few beautiful scenes, but his poetical eye, and
his moral heart, detected beauty in the sandy flats of Buckinghamshire."
The walk, especially, from the quiet little town to the village of
Weston Underwood, he has made classic among English scenes by the
description in the first book of the _Task_.
Leaving Olney, where, in truth, there is not much to detain us, save the
poet's home--the same in outward aspect, at least, as during the twenty
years spent by him within its walls,--and the summer-house in the garden
where he sat and wrote, while Mrs. Unwin knitted, and Puss, Tiny, and
Bess sported upon the grass--we may climb the little eminence above the
river, and with an admiration like that of the poet ninety years ago,
"dwell upon the scene." "Here is the "distant plough slow moving," and
[Illustration: 0107]
"Here Ouse, slow winding through a level plain
Of spacious meads, with cattle sprinkled o'er,
Conducts the eye along his sinuous course Delighted.
There, fast rooted in their bank,
Stand, never overlooked, our favourite elms.
That screen the herdsman's solitary hut;
While far beyond, and overthwart the stream,
That, as with molten glass, inlays the vale,
The sloping land recedes into the clouds;
Displaying on its varied side the grace
Of hedgerow beauties numberless, square tower,
Tall spire, from which the sound of cheerful bells
Just undulates upon the listening ear;
Groves, heathes and smoking villages remote."
Public-domain text, read in full here on John Shaqi.
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