English Verse: Specimens Illustrating its Principles and HistoryAlden, Raymond MacDonald
General
English Verse: Specimens Illustrating its Principles and History
Alden, Raymond MacDonald
English language -- Versification; English poetry
The special form of refrain stanza appearing in the first of these
foreign specimens (the Alleluia hymn form) is generally thought to have
been the source of the "tail-rime stanza" illustrated in the other two
specimens, and in the several pages which follow. The characteristic
feature of this stanza is the presence of two short lines riming
together and serving as "tails" to the first and second parts of the
body of the stanza. The same name appears in all the languages: "versus
caudati" in the mediæval Latin, "rime couée" in the French, and
"Schweifreim" in modern German. It is easy to see, what the following
specimens illustrate, how stanzas constructed on this fundamental
principle might be varied greatly in particular forms, according to the
number, length, and rime-arrangement of the longer lines.
Men may merci have, traytour not to save, for luf ne for awe,
Atteynt of traytorie, suld haf no mercie, wiþ no maner lawe.
(ROBERT MANNING of Brunne: _Chronicle._ ab. 1330.)
For Edward gode dede
Þe Baliol did him mede
a wikked bounte.
Turne we ageyn to rede
and on our geste to spede
a Maddok þer left we. (_Ibid._)
Manning's chronicle was a translation of the French chronicle of Pierre
de Langtoft. Although the translator designed to avoid the various
complicated measures used in the original, and kept pretty closely to
alexandrines (see p. 254, below), in the passages here represented he
followed the tail-rime of the original. In the first case the stanza
form is not represented in the manuscript, though of course implicit in
the rimes. The name of the stanza, "rime couée," appears very early in
Manning's Prologue, in the famous passage in which he expressed his
preference for metrical simplicity:
Als þai haf wrytenn and sayd
Haf I alle in myn Inglis layd,
In symple speche as I couthe,
That is lightest in mannes mouthe.
I mad noght for no disours,
Ne for no seggers no harpours,
Bot for þe luf of symple menn
That strange Inglis cann not kenn.
For many it ere that strange Inglis
In ryme wate never what it is,
And bot þai wist what it mente
Ellis me thoght it were alle shente.
I made it not for to be praysed,
Bot at þe lewed menn were aysed.
If it were made in ryme couwee,
Or in strangere or entrelace,
Þat rede Inglis it ere inowe
Þat couthe not haf coppled a kowe,
Þat outhere in couwee or in baston
Som suld haf ben fordon,
So þat fele men þat it herde
Suld not witte howe þat it ferde.
... And forsoth I couth noght
So strange Inglis as þai wroght,
And menn besoght me many a tyme
To turne it bot in light ryme.
þai sayd, if I in strange it turne,
To here it manyon suld skurne.
For it ere names fulle selcouthe,
þat ere not used now in mouthe.
And therfore for the comonalte,
þat blythely wild listen to me,
On light lange I it begann,
For luf of the lewed mann.
Public-domain text, read in full here on John Shaqi.
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