"Of course," she continued, "this building and the others like it, which were reserved for warnings when the rest were razed to the ground, have been thoroughly cleaned and strengthened and made sanitary and safe every way, but our artists have very cunningly counterfeited all the old effects of filth and squalor, so that the appearance of everything is just as it was. Tablets in the rooms describe how many human beings used to be crowded into them, and the horrible conditions of their lives. The worst about it is that the facts are all taken from historical records, and are absolutely true. There are some of these places in which the inhabitants of the buildings as they used to swarm in them are reproduced in wax or plaster with every detail of garments, furniture, and all the other features based on actual records or pictures of the time. There is something indescribably dreadful in going through the buildings fitted out in that way. The dumb figures seem to appeal to you to help them. It was so long ago, and yet it makes one feel conscience-stricken not to be able to do anything." "But, Julian, come away. It was just a stupid accident my bringing you past here. When I undertook to show you something that had not changed since your day, I did not mean to mock you." Thanks to modern rapid transit, ten minutes later we stood on the ocean shore, with the waves of the Atlantic breaking noisily at our feet and its blue floor extending unbroken to the horizon. Here indeed was something that had not been changed--a mighty existence, to which a thousand years were as one day and one day as a thousand years. There could be no tonic for my case like the inspiration of this great presence, this unchanging witness of all earth's mutations. How petty seemed the little trick of time that had been played on me as I stood in the presence of this symbol of everlastingness which made past, present, and future terms of little meaning!