When we were about a mile off, we were met by the Mayor and several Councillors, among whom was a venerable old man, who was introduced to me by the Mayor (for so I suppose I should call him) as the gentleman who had invited me to his house. I bowed deeply and told him how grateful I felt to him, and how gladly I would accept his hospitality. He forbade me to say more, and pointing to his carriage, which was close at hand, he motioned me to a seat therein. I again bowed profoundly to the Mayor and Councillors, and drove off with my entertainer, whose name was Senoj Nosnibor. After about half a mile the carriage turned off the main road, and we drove under the walls of the town till we reached a _palazzo_ on a slight eminence, and just on the outskirts of the city. This was Senoj Nosnibor’s house, and nothing can be imagined finer. It was situated near the magnificent and venerable ruins of the old railway station, which formed an imposing feature from the gardens of the house. The grounds, some ten or a dozen acres in extent, were laid out in terraced gardens, one above the other, with flights of broad steps ascending and descending the declivity of the garden. On these steps there were statues of most exquisite workmanship. Besides the statues there were vases filled with various shrubs that were new to me; and on either side the flights of steps there were rows of old cypresses and cedars, with grassy alleys between them. Then came choice vineyards and orchards of fruit-trees in full bearing. The house itself was approached by a court-yard, and round it was a corridor on to which rooms opened, as at Pompeii. In the middle of the court there was a bath and a fountain. Having passed the court we came to the main body of the house, which was two stories in height. The rooms were large and lofty; perhaps at first they looked rather bare of furniture, but in hot climates people generally keep their rooms more bare than they do in colder ones. I missed also the sight of a grand piano or some similar instrument, there being no means of producing music in any of the rooms save the larger drawing-room, where there were half a dozen large bronze gongs, which the ladies used occasionally to beat about at random. It was not pleasant to hear them, but I have heard quite as unpleasant music both before and since.