"I'm so happy, Erik. Everything seems wonderful again when you smile and
laugh like this. Your cheeks make such a nice little curve and your head
on my shoulder, where it belongs ... for always and ever...."
Let her sing. He could stand it. What did it matter? But would she die
when he left. He would have to say something outright. God, what a thing
to say outright. Kill not only her but the wonderful selves of him that
lived in her. That didn't mean anything. Anyway, it was rather silly to
waste time thinking.... To-night, after the ride ... going to Rachel.
He had her address. He would walk up, ring the bell. She would answer
and her face would look in surprise at him.
"My Erik, my own sweet little one!"
Dreaming of Jimmie, of him and Jimmie together.... "I don't ever want to
move. I want us to keep on riding like this forever and ever...."
Quite exquisite tragedy. A bit crude. But reality was always rather
crude. Crude or not, what was more exquisite than happiness laughing
with an unseen knife moving toward its heart? At least he was an
appreciative audience. With his head on her shoulder. Why not? Life
demanded that one be an audience sometimes ... sit back and listen to
the fates whispering. What a ride! Dark waiting houses moving by. Seven
years together, growing closer and more subtly together--yet not
together at all. Anyway, he was sick of living that way. Even without
Rachel ... a mess. Night lies. Passion lies. A dirty business. No, not
that. She was beautiful. Anna, not Rachel. He was the unclean one.
"Are you happy, beloved?"
"Yes."
Lord, what an answer to give her. A prayer! Insufferably exquisite gods
of drama--she was praying. Tears rushing from her eyes.
"Sweet Jesus ... sweet brother Jesus ... thanks for everything. Oh, I've
been so unfaithful. Not to believe. Thanks for my wonderful Erik."
He must kill her, swiftly, before she could know that prayers were vain.
Easier to kill her body than to listen to this. How, though? With his
hands about her throat. Murder was an old business. It would be mercy to
her. But he was too much a coward. A cowardly audience listening to
words ... far away from him.
"Beloved ... darling. Oh, it's so good to have you back again."
"Don't talk." He put his arm tightly around her, his fingers fumbling at
her bare neck. But that was only a pretense, a bit of insipid
melodrama--his fingers. He was an actor frightened by his part.
The taxi driver was demanding $4.50--an outrage.
"That's too much, Erik."
But he paid. Should he tell him to wait? He would need him in a few
minutes. No, too cold-blooded to tell him to wait. And anyway, Anna was
listening. He was still an audience. He would jump on the stage and
begin acting later. Soon.
"Keep the change."
"Thanks, sir."
An insane world ... a polite and jovial taxi-cab driver carrying
lunatics about the streets.
"Oh, dear, look! Father's sitting up." She was disappointed. "And I
wanted to kiss and hug you before we went upstairs."
Public-domain text, read in full here on John Shaqi.
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