Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.Dobbins, Frank S. (Frank Stockton)
Religion
Error's chains : $b How forged and broken : A comparative history of the national, social and religious errors that mankind has fallen into and practised from the creation down to the present time.
Dobbins, Frank S. (Frank Stockton)
Idols and images -- Worship; Mythology; Religions
But what was the character of this writing that it should be so
difficult to interpret? The writing was a picture-writing, with
characters or syllables added, more puzzling than the most puzzling
rebus that ever appeared. The Greeks, who often visited Egypt, gave
the name _Hieroglyphics_ to this Egyptian writing. The word means
in the Greek language “sacred sculpture.” Neither the Greeks nor the
Romans, even while they ruled Egypt, ever undertook to learn to read
this writing. It seemed to them an unknowable secret. Thus gradually
the ancient Egyptian language perished. So the knowledge of the reading
of the hieroglyphics passed away entirely. For many centuries every
attempt to read it failed, and it remained a hopeless mystery. Finally,
about fifty years ago, a Frenchman succeeded in lifting the veil. Jean
François Champollion (born 1790, died 1832), made this discovery, one
of the greatest of the nineteenth century. He showed how the writing
was to be read. Now the whole can be read perhaps almost as easily
as Greek or Latin, or the Chinese or Burmese languages. Thus was the
hidden history brought to light.
[Illustration: SONG OF THE THRESHERS.]
As specimens of the hieroglyphics, Wilkinson gives the opposite Song of
the Threshers to the Oxen. His translation of the lines respectively is
as follows: 1. “Thresh for yourselves” (twice repeated). 2. “O oxen.”
3. “Thresh for yourselves” (twice). 4. “Measures for yourselves.” 5.
“Measures for your masters.”
Another specimen of hieroglyphics is added below.
[Illustration: HIEROGLYPHICS.]
SOME EGYPTIAN GODS.
The Egyptian gods are numbered by the hundreds. It is possible for us
to refer to but a few here. The ideas of the gods which prevailed here
were grafted on the simple nature-worship which the people brought to
Egypt from their earlier home.
[Illustration: PASHT, THE CAT-HEADED GOD.]
In every part of Egypt two great gods, Isis and Osiris, were worshiped.
Isis is the wife of Osiris. Ra the sun-god was the greatest of the
gods, he was supposed to be the representative of the Supreme Being.
And yet Osiris was the most popular god. Ra was generally represented
as a hawk-headed man, and usually with a solar disk upon his head. Ra
was generally worshiped in association with some other god, as Amen-Ra,
Num-Ra, etc. In many sculptures he is represented as carrying on a
constant conflict with the evil. Evil is represented in these conflicts
as the great serpent Apap. At Heliopolis were kept two animals sacred
to Ra, the black bull and the phœnix. The phœnix was a bird which the
Egyptians regarded as the emblem of immortality; a bird which never
died, but when it was burned, sprang up again, full-grown, from its
ashes, ready to renew its activities.
[Illustration: ONE OF THE FORMS OF ISIS.]
Public-domain text, read in full here on John Shaqi.
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