Essays from the Chap-Book: Being a Miscellany of Curious and interesting Tales, Histories, &c; newly composed by Many Celebrated Writers and very delightful to read.Various
History
Essays from the Chap-Book: Being a Miscellany of Curious and interesting Tales, Histories, &c; newly composed by Many Celebrated Writers and very delightful to read.
Various
American essays; Literature, Modern -- History and criticism
His test of Shakespeare,
by the way, is an apt one. It does not condemn a man that he does not
find Hamlet interesting. Many intelligent men do not. Any man however,
who infers, from his lack of appreciation that Shakespeare is not a
great artist is deficient in critical intelligence and in understanding
of the value of evidence. And when a man remarks that Raphael,
Beethoven, or Shakespeare, was a great man in his time, but that the
world has progressed, and that, as we stand on the shoulders of our
predecessors, the Balzac of this century sees more than the Shakespeare
of two centuries earlier, we have a subject for comedy. Artists, except
the very highest, are likely to be as critics arbitrary and intolerant,
though often acute and original, and these hangers-on of the art-world
have the arbitrariness without the compensating exact knowledge.
That any critic who seriously treats with contempt any man or any
institution that has a high place in the general world of ideas is
shallow, an avoider and not a solver of questions which confront a man
of mature culture and broad mind, is almost axiomatic. When we hear
so many critics to-day expressing scorn of whole nations, saying of
England, perhaps, that she has no art, of Germany, that she has only
dull learning, of America that she is Philistine; when we see these
critics surrounded by groups of followers, do we not wish, with some
reason, that we had a Molière to-day? What a play he could make of “Les
Critiques Ridicules;” or of “L’Ecole des Aesthètes,” or of “L’Amèricain
Malgré Lui.” The poems of Mr. Gilbert and of Punch are pleasing
within their range, but the subject deserves to be treated in one of
the world’s comedies. The scientific art criticism of men who know of
art and science nothing except the jargon makes one sometimes doubt
the value of the general spread of ideas. Lombroso, Nordau, even parts
of Spencer, not to speak of the mass of inferior generalizing of wide
scope, would have brought a sad smile to the face of the real scientist
who spent seven years studying earth-worms alone.
The School of Jingoes
_By_ Thomas Wentworth Higginson
THE SCHOOL OF JINGOES
Public-domain text, read in full here on John Shaqi.
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