English literature -- 19th century -- History and criticism; French literature -- 19th century -- History and criticism
Claude still held the hands of Phlipote, who was trembling now, and
almost on fire at the story of this ambitious love. In return she
reveals her own. It was Good Friday. She had come with her mother to
the Sainte Chapelle to hear Mademoiselle Coupain play the organ and
witness the extraordinary spectacle of the convulsionnaires, brought
thither to be touched by the relic of the True Cross. In the press of
the crowd at this exciting scene Phlipote faints, or nearly faints,
when a young man comes kindly to their aid. "She is so young!" he
explains to the mother, "she seems so delicate!" "He looked at me,"
she tells Claude--"he looked at [143] me, through his half-closed
eyelids; and his words were like a caress."--
"'And have you seen him no More?' asks Claude, full of sympathy.
"'Yes! once again. He pretended to be looking at the window of the
Little Dunkirk, over the way, but with cautious glances towards our
house. Only, as he did not know what storey we live on, he failed to
discover me behind my curtain, where I was but half visible.'
"'You should have shown yourself.'
"'Oh, Claude!' she cried, with a delicious gesture of timidity, of
shame.
"So they prattled for a long time; he talking of the great Guimard, she
of her unknown lover, scarce listening to, but completely understanding
each other.
"'Holloa!'cries the loud voice of Christopher Marteau. 'What are you
doing out there?'
"The young people arose. Phlipote linked her arm gaily in that of
Claude. 'How contented I feel!' she says; 'how good it is to have a
friend--to have you whom I used to detest, because I thought you were
in love with me. Now, when I know you can't bear me, I [144] shall be
nicely in love with you.' The soft warmth of her arm seemed to pass
through Claude, and gave him strange sensations. He resumed naively,
'Yes! and how odd it is after all that I am not in love with you. You
are so pretty!' Phlipote raised her finger coquettishly, 'No
compliments, monsieur. Since we are not to marry each other, it is
forbidden to pay court to me!'"
From that day a close intimacy established itself between the formerly
affianced pair, now become accomplices in defeating the good intentions
of their elders. In long conversations, they talked in turn, or both
together, of their respective loves. Phlipote allows Claude entrance
to her chamber, full of admiration for its graceful arrangements, its
virgin cleanliness. He inspects slowly all the familiar objects daily
touched by her, her books, her girlish ornaments. One day she cried
with an air of mischief, "If she were here in my place, what would you
do?" and no sooner were the words uttered than his arms were round her
neck. "'Tis but to teach you what I would do were she here." They
were a little troubled by this adventure.
Public-domain text, read in full here on John Shaqi.
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