English literature -- 19th century -- History and criticism; French literature -- 19th century -- History and criticism
[145] And the next day was a memorable one. By the kind contrivance of
Phlipote herself, Claude gains the much-desired access to the object of
his affections, but to his immense disillusion. If he could but speak
to her, he fancies he should find the courage, the skill, to bend her.
Breathless, Phlipote comes in secret with the good news. The great
actress desires some one to tune her clavecin:--
"'Papa would have gone; but I begged him so earnestly to take me to the
Theatre Francais that he could not refuse; and it is yourself will go
this evening to tune the clavecin of your beloved.'
"'Phlipote, you've a better heart than I! This morning I saw a
gentleman, who resembled point by point your description of the unknown
at the Sainte Chapelle, prowling about our shop.'
"'And you didn't tell me!'
"Claude hung his head.
"'But why not?' the young girl asks imperiously. 'Why not?'
"'In truth I could hardly say, hardly understand, myself. Do you
forgive me, Phlipote?'
"'I suppose I must. So make yourself as smart as you can, to please
your goddess.'"
[146] Next day she hears the story of Claude's grievous disappointment
on seeing the great actress at home--plain, five-and-forty,
ill-tempered. He had tuned the clavecin and taken flight.
And now for Phlipote's idol! It was agreed that Whitsunday should be
spent at Versailles. On that day the royal apartments were open to the
public, and at the hour of High Mass the crowd flowed back towards the
vestibule of the chapel to witness what was called the procession of
the Cordons Bleus. The "Blue Ribbons" were the knights of the Order Du
Saint-Esprit in their robes of ceremony, who came to range themselves
in the choir according to the date of their creation. The press was so
great that the parents were separated from the young people. Claude,
however, at the side of Phlipote, realized the ideal of a faithful and
jealous guardian. The hallebardes of the Suisses rang on the marble
pavement of the gallery. Royalty, now unconsciously presenting its
ceremonies for the last time, advanced through a cloud of splendour;
but before the Queen appeared it was necessary that all the knights of
the order down to the youngest should pass by, slow, solemn, majestic.
[147] They wore, besides their ribbons of blue moire, the silver dove
on the shoulder, and the long mantle of sombre blue velvet lined with
yellow satin. Phlipote watched mechanically the double file of haughty
figures passing before them: then, on a sudden, with a feeble cry,
falls fainting into the arms of Claude.
Recovered after a while, under shelter of the great staircase, she wept
as those weep whose heart is broken by a great blow. Claude, without a
word, sustained, soothed her. A sentiment of gratitude mingled itself
with her distress. "How good he is!" she thought.
Public-domain text, read in full here on John Shaqi.
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