Essays in English Literature, 1780-1860Saintsbury, George
History
Essays in English Literature, 1780-1860
Saintsbury, George
English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
For, in truth, _The Confessions of a Justified Sinner_, while it has all
Hogg's merits and more, is quite astoundingly free from his defects. His
tales are generally innocent of the most rudimentary notions of
construction: this goes closely ordered, with a few pardonable enough
digressions, from beginning to end. He has usually little concentrated
grasp of character: the few personages of the _Confessions_ are
consistent throughout. His dialogue is, as a rule, extraordinarily
slipshod and unequal: here there is no fault to find with it. His
greatest lack, in short, is the lack of form: and here, though the story
might perhaps have been curtailed, or rather "cut" in the middle, with
advantage, the form is excellent. As its original edition, though an
agreeable volume, is rare, and its later ones are buried amidst
discordant rubbish, it may not be improper to give some account of it.
The time is pitched just about the Revolution and the years following,
and, according to a common if not altogether praiseworthy custom, the
story consists of an editor's narrative and of the _Confessions_ proper
imbedded therein. The narrative tells how a drinking Royalist laird
married an exceedingly precise young woman, how the dissension which was
probable broke out between them, how a certain divine, the Reverend
Robert Wringhim, endeavoured to convert the sinner at the instances of
the saint, and perhaps succeeded in consoling the saint at the expense
of the sinner; how the laird sought more congenial society with a
certain cousin of his named Arabella Logan, and how, rather out of
jealousy than forgiveness, such a union or quasi-union took place
between husband and wife that they had two sons, George and Robert, the
elder of whom was his father's favourite and like, while the younger was
pretty much left to the care of Mr. Wringhim. The tale then tells how,
after hardly seeing one another in boyhood, the brothers met as young
men at Edinburgh, where on extreme provocation the elder was within an
ace of killing the younger. The end of it was that, after Robert had
brought against George a charge of assaulting him on Arthur's Seat,
George himself was found mysteriously murdered in an Edinburgh close.
His mother cared naught for it; his father soon died of grief; the
obnoxious Robert succeeded to the estates, and only Arabella Logan was
left to do what she could to clear up the mystery, which, after certain
strange passages, she did. But when warrants were made out against
Robert he had disappeared, and the whole thing remained wrapped in more
mystery than ever.
To this narrative succeed the confessions of Robert himself. He takes of
course the extreme side both of his mother and of her doctrines, but for
some time, though an accomplished Pharisee, he is not assured of
salvation, till at last his adopted (if not real) father Wringhim
announces that he has wrestled sufficiently in prayer and has received
assurance.
Public-domain text, read in full here on John Shaqi.
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