American essays -- 19th century; Literature -- History and criticism
It is amusing to note how the various critics and biographers of Miss
Austen, Miss Edgeworth, and Miss Mitford have debated and fretted
over the painful lack of romance in their careers. Feminine critics,
especially, find it difficult to believe that there is no hidden tale to
tell, no secret and justifiable cause for this otherwise inexplicable
behavior; and much time and patience have been exhausted in dragging
shadowy memories to light. In the case of Miss Mitford, indeed, it
seems quite hopeless to search for even the ghost of a love-story, and,
although she certainly did devote her life with touching unselfishness to
the comfort and support of a very exacting father, it cannot for a moment
be urged that, in so doing, she relinquished any distinct desire or
prospect of matrimony. Perhaps the exasperating qualities of her parent
inclined her unconsciously to remain single; for, with all her unsparing
devotion, she must, in the course of sorely tried years, have grown to
regard men very much as Dolly Winthrop regarded them,—“in the light of
animals whom it had pleased Heaven to make naturally troublesome.” Mr.
Mitford, a most genial and handsome old gentleman of the Turveydrop
pattern, managed to keep his daughter’s hands full of work, and her
heart full of love, and left her little chance or disposition for any
wandering fancies. All the exuberant affection of her girlhood, all the
mature attachment of later years, were concentrated upon him alone.
Her youth waned, her freshness faded, her indomitable courage and
cheerfulness quailed a little before the ever-increasing burdens of her
life; but through it all, in joy and sorrow, no shadow of a suitor stands
beckoning by her side. Her serene old age was haunted by no dim voices
crying out of the past for the joy which had slipped from her grasp. She
wrote love-stories by the score, always approaching the subject from the
outside, and treating it with the easy conventionality, the generous yet
imperfect sympathy of a warm-hearted woman not prone to analyze motives.
They are very pleasant stories for the most part, sensible, healthy,
and happy; but they are not convincing. The reader feels that if Polly
did not marry Joe she would be just as well satisfied with William, and
that if Edwin failed to win Angelina he would soon content himself with
Dorothy. This is a comfortable state of affairs, and doubtless true
to life; but it is not precisely the element which makes a successful
love-tale. The fact is, Miss Mitford described things pretty much as she
found them, not seeking to dive below the surface, and always adding a
little sunshine of her own. She was a happy woman, save for some sad
years of overwork, and her life was full of pleasant detail, of cherished
duties, and of felicitous labor; but, from first to last, love had no
part in it, and, fancy free, she never reckoned of her loss.
Public-domain text, read in full here on John Shaqi.
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